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Control Theory and the Design of Performance Metrics

In: Hyperinnovation

Author

Listed:
  • Chris Harris

Abstract

We have all heard the sound of the screeching banshee over the public address system. Out flies a voice in the form of vibrating air, then at around 740 mph, impinges back on the microphone which the original voice struck. And so starts an amplifying feedback loop. More positive feedback builds more feedback to a pitch that breaks up beyond the range of human hearing.

Suggested Citation

  • Chris Harris, 2002. "Control Theory and the Design of Performance Metrics," Palgrave Macmillan Books, in: Hyperinnovation, chapter 0, pages 287-294, Palgrave Macmillan.
    • Handle: RePEc:pal:palchp:978-1-4039-0735-6_26
    DOI: 10.1057/9781403907356_26
    as

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