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Copyright and competition policy

In: Handbook on the Digital Creative Economy

Author

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  • Ariel Katz

Abstract

Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.

Suggested Citation

  • Ariel Katz, 2013. "Copyright and competition policy," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 19, pages 209-221, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:14906_19
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    References listed on IDEAS

    as
    1. Stan Liebowitz, 2005. "Economists’ Topsy-Turvy View of Piracy," Law and Economics 0505002, University Library of Munich, Germany.
    2. Ariel Katz, 2006. "The Potential Demise Of Another Natural Monopoly: New Technologies And The Administration Of Performing Rights," Journal of Competition Law and Economics, Oxford University Press, vol. 2(2), pages 245-284.
    3. Liebowitz, S J, 1985. "Copying and Indirect Appropriability: Photocopying of Journals," Journal of Political Economy, University of Chicago Press, vol. 93(5), pages 945-957, October.
    4. Takeyama, Lisa N, 1994. "The Welfare Implications of Unauthorized Reproduction of Intellectual Property in the Presence of Demand Network Externalities," Journal of Industrial Economics, Wiley Blackwell, vol. 42(2), pages 155-166, June.
    5. Nicita Antonio & Ramello Giovanni B., 2007. "Property, Liability and Market Power: The Antitrust Side of Copyright," Review of Law & Economics, De Gruyter, vol. 3(3), pages 767-791, December.
    6. Kathleen Reavis Conner & Richard P. Rumelt, 1991. "Software Piracy: An Analysis of Protection Strategies," Management Science, INFORMS, vol. 37(2), pages 125-139, February.
    7. Ariel Katz, 2005. "The Potential Demise Of Another Natural Monopoly: Rethinking The Collective Administration Of Performing Rights," Journal of Competition Law and Economics, Oxford University Press, vol. 1(3), pages 541-593.
    8. Boldrin Michele & Levine David K, 2004. "Why Mickey Mouse is Not Subject to Congestion: A Letter on 'Eldred and Fair Use'," The Economists' Voice, De Gruyter, vol. 1(2), pages 1-3, October.
    9. Ariel Katz, "undated". "The Potential Demise of another Natural Monopoly: New Technologies and the Future of Collective Administration of Copyrights," American Law & Economics Association Annual Meetings 1034, American Law & Economics Association.
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    Cited by:

    1. Gans, Joshua S., 2015. "Remix rights and negotiations over the use of copy-protected works," International Journal of Industrial Organization, Elsevier, vol. 41(C), pages 76-83.

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