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The basic economic theory of copyright

In: Handbook on the Economics of Copyright

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  • Richard Watt

Abstract

Featuring expert contributors from around the world, this book offers insight into the vital theoretical and practical aspects of the economics of copyright. Topics discussed include fair use, performers’ rights, copyright and trade, online music streaming, internet piracy, copyright and visual art markets, and open source publishing. In addition to in-depth coverage of these timely topics, the authors also offer insightful predictions and policy recommendations for the future.

Suggested Citation

  • Richard Watt, 2014. "The basic economic theory of copyright," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 1, pages 9-25, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:14240_1
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    File URL: https://www.elgaronline.com/view/9781849808521.00007.xml
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    References listed on IDEAS

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    1. Stan J. Liebowitz & Richard Watt, 2006. "How To Best Ensure Remuneration For Creators In The Market For Music? Copyright And Its Alternatives," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 513-545, September.
    2. Alan E. Woodfield, 2006. "Piracy Accommodation and the Optimal Timing of Royalty Payments," Working Papers in Economics 06/01, University of Canterbury, Department of Economics and Finance.
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    Cited by:

    1. Richard Watt, 2013. "Copyright law and royalty contracts," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 18, pages 197-208, Edward Elgar Publishing.

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    Economics and Finance; Law - Academic;

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