Geraldine Clemence David

Personal Details

First Name:	Geraldine
Middle Name:	Clemence
Last Name:	David
Suffix:
RePEc Short-ID:	pda707
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	https://sites.google.com/site/davidgeraldine/

Affiliation

(50%) CentER Graduate School for Economics and Business
School of Economics and Management
Universiteit van Tilburg

Tilburg, Netherlands
https://www.tilburguniversity.edu/research/economics-and-management/graduate-school
RePEc:edi:cekubnl (more details at EDIRC)

(50%) Centre Emile Bernheim
Solvay Brussels School of Economics and Management
Université Libre de Bruxelles

Bruxelles, Belgium
http://www.solvay.edu/centre-emile-bernheim
RePEc:edi:cebulbe (more details at EDIRC)

Citations

Many of the citations below have been collected in an experimental project, CitEc, where a more detailed citation analysis can be found. These are citations from works listed in RePEc that could be analyzed mechanically. So far, only a minority of all works could be analyzed. See under "Corrections" how you can help improve the citation analysis.

Blog mentions

As found by EconAcademics.org, the blog aggregator for Economics research:

1. Geraldine David & Kim Oosterlinck, 2012. "War, Inflation, Monetary Reform and the Art Market," Working Papers 0012, European Historical Economics Society (EHES).

   Mentioned in:

   1. Electrification, skills and manufacturing
      by Chris Colvin in NEP-HIS blog on 2012-01-29 00:15:01

Working papers

1. David, Géraldine & Li, Yuexin & Oosterlinck, Kim & Renneboog, Luc, 2022. "Art in Times of Crisis," CEPR Discussion Papers 16575, C.E.P.R. Discussion Papers.
   • David, Géraldine & Li, Yuexin & Oosterlinck, Kim & Renneboog, Luc, 2021. "Art in Times of Crisis," Discussion Paper 2021-026, Tilburg University, Center for Economic Research.
   • David, Géraldine & Li, Yuexin & Oosterlinck, Kim & Renneboog, Luc, 2021. "Art in Times of Crisis," Other publications TiSEM 34925083-7378-4691-ba63-6, Tilburg University, School of Economics and Management.

   Cited by:

   1. Kim Oosterlinck, 2024. "Arturo Cifuentes and Ventura Carlin: the worth of art. Financial tools for the art market. New York, Columbia University Press, 2023," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 167-170, March.
   2. Li, Yuexin & Ma, X. & Renneboog, Luc, 2021. "Pricing Art and the Art of Pricing : On Returns and Risk in Art Auction Markets," Other publications TiSEM 8d25ec25-78dc-4cdc-b054-f, Tilburg University, School of Economics and Management.
      • Li, Yuexin & Ma, X. & Renneboog, Luc, 2021. "Pricing Art and the Art of Pricing : On Returns and Risk in Art Auction Markets," Discussion Paper 2021-018, Tilburg University, Center for Economic Research.

2. Geraldine David & Christian Huemer & Kim Oosterlinck, 2020. "Art dealers’ inventory strategy: the case of Goupil, Boussod & Valadon from 1860 to 1914," ULB Institutional Repository 2013/315295, ULB -- Universite Libre de Bruxelles.
   • Geraldine David & Christian Huemer & Kim Oosterlinck, 2023. "Art dealers’ inventory strategy: the case of Goupil, Boussod & Valadon from 1860 to 1914," Business History, Taylor & Francis Journals, vol. 65(1), pages 24-55, January.

   Cited by:

   1. Anne-Sophie V. Radermecker, 2022. "Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin (Eds): Researching art markets. Past, present and tools for the future Routledge (Routledge Research in the Creative and Cultural Industries), Oxon," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(1), pages 199-203, March.
   2. Anne-Sophie V. Radermecker & Koenraad Brosens, 2023. "Valuing European tapestry: from riches to rags," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(3), pages 359-406, September.
   3. Simon Kelly, 2023. "How Monet became a millionaire: the importance of the artist’s account books," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(3), pages 437-460, September.
   4. Robert Jensen, 2023. "The rise and fall and rise again of the contemporary art market," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(3), pages 461-488, September.
   5. Anne-Sophie Radermecker & Koenraad Brosens, 2023. "Valuing European tapestry: from riches to rags," ULB Institutional Repository 2013/371370, ULB -- Universite Libre de Bruxelles.

3. Oosterlinck, Kim & David, Géraldine & Huemer, Christian, 2019. "Art Dealers’ Inventory Strategy The case of Goupil, Boussod & Valadon from 1860 to 1914," CEPR Discussion Papers 13941, C.E.P.R. Discussion Papers.

   Cited by:

   1. Etro, Federico & Marchesi, Silvia & Stepanova, Elena, 2020. "Liberalizing art. Evidence on the Impressionists at the end of the Paris Salon," European Journal of Political Economy, Elsevier, vol. 62(C).
      • Federico Etro & Silvia Marchesi & Elena Stepanova, 2019. "Liberalizing Art. Evidence on the Impressionists at the end of the Paris Salon," Working Papers - Economics wp2019_22.rdf, Universita' degli Studi di Firenze, Dipartimento di Scienze per l'Economia e l'Impresa.
      • Federico Etro & Silvia Marchesi & Elena Stepanova, 2020. "Liberalizing Art: Evidence on the Impressionists at the end of the Paris Salon," Working Papers 432, University of Milano-Bicocca, Department of Economics, revised Feb 2020.
      • Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art. Evidence on the Impressionists at the end of the Paris Salon," LEM Papers Series 2018/25, Laboratory of Economics and Management (LEM), Sant'Anna School of Advanced Studies, Pisa, Italy.
      • Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art. Evidence on the Impressionists at the end of the Paris Salon," Working Papers 2018:20, Department of Economics, University of Venice "Ca' Foscari".
      • Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art Evidence on the Impressionists at the end of the Paris Salon," Working Papers CEB 18-028, ULB -- Universite Libre de Bruxelles.
      • Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art: Evidence on the Impressionists at the end of the Paris Salon," Working Papers 386, University of Milano-Bicocca, Department of Economics, revised May 2019.
   2. David Chambers & Elroy Dimson & Christophe Spaenjers, 0. "Art as an Asset: Evidence from Keynes the Collector," The Review of Asset Pricing Studies, Society for Financial Studies, vol. 10(3), pages 490-520.
      • Chambers, David & , & Spaenjers, Christophe, 2020. "Art as an Asset: Evidence from Keynes the Collector," CEPR Discussion Papers 14357, C.E.P.R. Discussion Papers.

4. David, Geraldine, 2016. "Art as an investment in a historical perspective," Other publications TiSEM 2361da4b-d827-4cae-91ce-1, Tilburg University, School of Economics and Management.

   Cited by:

   1. David, Géraldine & Li, Yuexin & Oosterlinck, Kim & Renneboog, Luc, 2021. "Art in Times of Crisis," Discussion Paper 2021-026, Tilburg University, Center for Economic Research.
      • David, Géraldine & Li, Yuexin & Oosterlinck, Kim & Renneboog, Luc, 2022. "Art in Times of Crisis," CEPR Discussion Papers 16575, C.E.P.R. Discussion Papers.
      • David, Géraldine & Li, Yuexin & Oosterlinck, Kim & Renneboog, Luc, 2021. "Art in Times of Crisis," Other publications TiSEM 34925083-7378-4691-ba63-6, Tilburg University, School of Economics and Management.
   2. Li, Yuexin, 2021. "Pricing art: Returns, trust, and crises," Other publications TiSEM 8832c172-83dd-4ed9-8215-0, Tilburg University, School of Economics and Management.

5. Geraldine David, 2014. "Is Art Really a Safe Haven? Evidence from the French Art Market During WWI," Working Papers CEB 14-025, ULB -- Universite Libre de Bruxelles.

   Cited by:

   1. Sun, Qinglin & Zhang, Zhiyuan, 2023. "Can art hedge against economic policy uncertainty?: New insights through the NARDL model," Finance Research Letters, Elsevier, vol. 54(C).
   2. Belma Öztürkkal & Aslı Togan-Eğrican, 2020. "Art investment: hedging or safe haven through financial crises," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 481-529, September.

6. Geraldine David & Kim Oosterlinck & Ariane Szafarz, 2013. "Art Market Inefficiency," Working Papers CEB 13-011, ULB -- Universite Libre de Bruxelles.
   • David, Géraldine & Oosterlinck, Kim & Szafarz, Ariane, 2013. "Art market inefficiency," Economics Letters, Elsevier, vol. 121(1), pages 23-25.
   • Geraldine David & Kim Oosterlinck & Ariane Szafarz, 2013. "Art Market Inefficiency," ULB Institutional Repository 2013/145737, ULB -- Universite Libre de Bruxelles.

   Cited by:

   1. Penasse, J.N.G. & Renneboog, L.D.R., 2014. "Bubbles and Trading Frenzies : Evidence from the Art Market," Other publications TiSEM 386dd5e7-e672-4d9d-829c-6, Tilburg University, School of Economics and Management.
      • Penasse, J.N.G. & Renneboog, L.D.R., 2014. "Bubbles and Trading Frenzies : Evidence from the Art Market," Discussion Paper 2014-046, Tilburg University, Tilburg Law and Economic Center.
      • Penasse, J.N.G. & Renneboog, L.D.R., 2014. "Bubbles and Trading Frenzies : Evidence from the Art Market," Discussion Paper 2014-068, Tilburg University, Center for Economic Research.
      • Penasse, J.N.G. & Renneboog, L.D.R., 2014. "Bubbles and Trading Frenzies : Evidence from the Art Market," Other publications TiSEM bf0d8984-df7f-4f02-afc7-3, Tilburg University, School of Economics and Management.
   2. Prieto-Rodriguez, Juan & Vecco, Marilena, 2021. "Reading between the lines in the art market: Lack of transparency and price heterogeneity as an indicator of multiple equilibria," Economic Modelling, Elsevier, vol. 102(C).
   3. Marie Brière & Kim Oosterlinck & Ariane Szafarz, 2015. "Virtual Currency, Tangible Return: Portfolio Diversification with Bitcoin," Post-Print hal-02315410, HAL.
      • Marie Briere & Kim Oosterlinck & Ariane Szafarz, 2013. "Virtual Currency, Tangible Return: Portfolio Diversification with Bitcoin," Working Papers CEB 13-031, ULB -- Universite Libre de Bruxelles.
      • Marie Briere & Kim Oosterlinck & Ariane Szafarz, 2015. "Virtual Currency, Tangible Return: Portfolio Diversification with Bitcoins," ULB Institutional Repository 2013/226296, ULB -- Universite Libre de Bruxelles.
      • Marie Briere & Kim Oosterlinck & Ariane Szafarz, 2015. "Virtual Currency, Tangible Return: Portfolio Diversification with Bitcoins," Post-Print CEB, ULB -- Universite Libre de Bruxelles, vol. 16(6), pages 365-373.
   4. Alexander Cuntz & Matthias Sahli, 2024. "Intermediary liability and trade in follow-on innovation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 1-42, March.
      • Alexander Cuntz & Matthias Sahli, 2021. "Intermediary Liability and Trade in Follow-on Innovation," WIPO Economic Research Working Papers 66, World Intellectual Property Organization - Economics and Statistics Division.
      • Alexander Cuntz & Matthias Sahli, 2021. "Intermediary Liability and Trade in Follow-on Innovation," IRENE Working Papers 21-11, IRENE Institute of Economic Research.
   5. Toan Ho Manh & Thu Trang Vuong & Manh Tung Ho & Hong Kong Nguyen-To & Quan-Hoang Vuong, 2018. "The painting can be fake, but not the feeling’: an overview of the Vietnamese market through the lens of fake, forgery and copy paintings," Working Papers CEB 18-022, ULB -- Universite Libre de Bruxelles.
   6. Pénasse, Julien & Renneboog, Luc & Spaenjers, Christophe, 2014. "Sentiment and art prices," Economics Letters, Elsevier, vol. 122(3), pages 432-434.
      • Julien Pénasse & Luc Renneboog & Christophe Spaenjers, 2014. "Sentiment and art prices," Post-Print hal-00982427, HAL.
      • Penasse, J.N.G. & Renneboog, L.D.R. & Spaenjers, C., 2014. "Sentiment and art prices," Other publications TiSEM 586e6ca3-e77e-43c8-8e95-c, Tilburg University, School of Economics and Management.
   7. Goodness C. Aye & Tsangyao Chang & Wen-Yi Chen & Rangan Gupta & Mark Wohar, 2016. "Testing the Efficiency of the Art Market using Quantile-Based Unit Root Tests with Sharp and Smooth Breaks," Working Papers 201625, University of Pretoria, Department of Economics.
   8. Aye, Goodness C. & Gil-Alana, Luis A. & Gupta, Rangan & Wohar, Mark E., 2017. "The efficiency of the art market: Evidence from variance ratio tests, linear and nonlinear fractional integration approaches," International Review of Economics & Finance, Elsevier, vol. 51(C), pages 283-294.
      • Goodness C. Aye & Luis A. Gil-Alana & Rangan Gupta & Mark Wohar, 2016. "The Efficiency of the Art Market: Evidence from Variance Ratio Tests, Linear and Nonlinear Fractional Integration Approaches," Working Papers 201610, University of Pretoria, Department of Economics.
   9. Zhitkov, Konstantin & Ratnikova, Tatiana, 2014. "The construction of hedonic price indices for fauvists’ paintings," Applied Econometrics, Russian Presidential Academy of National Economy and Public Administration (RANEPA), vol. 35(3), pages 59-85.
   10. Anne-Sophie V. E. Radermecker, 2019. "Artworks without names: an insight into the market for anonymous paintings," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(3), pages 443-483, September.
   11. Aloosh, Arash & Choi, Hyung-Eun & Ouzan, Samuel, 2023. "The tail wagging the dog: How do meme stocks affect market efficiency?," International Review of Economics & Finance, Elsevier, vol. 87(C), pages 68-78.
   12. Georges Gallais-Hamonno & Thi-hong-van Hoang & Kim Oosterlinck, 2015. "Informational Efficiency of the Clandestine and Official Gold Markets in Paris," ULB Institutional Repository 2013/177963, ULB -- Universite Libre de Bruxelles.
       • Gallais-Hamonno, Georges & Hoang, Thi-Hong-Van & Oosterlinck, Kim, 2015. "Informational efficiency of the clandestine and official gold markets in Paris," Economics Letters, Elsevier, vol. 126(C), pages 28-30.
       • Georges Gallais-Hamonno & Thi-Hong-Van Hoang & Kim Oosterlinck, 2015. "Informational efficiency of the clandestine and official gold markets in Paris," Post-Print hal-02009842, HAL.
   13. Yuqing Song, 2024. "Valuing Collaboration in Art: Insights from Zhang Daqian's Network," Working Papers CEB 24-012, ULB -- Universite Libre de Bruxelles.
   14. Simon Levy & Maxime L. D. Nicolas, 2024. "Modern Portfolio Diversification with Arte-Blue Chip Index," Papers 2409.18816, arXiv.org.
   15. Shi, Yang & Xu, Hui & Wang, Mancang & Conroy, Paul, 2017. "Home bias in domestic art markets: Evidence from China," Economics Letters, Elsevier, vol. 159(C), pages 201-203.
   16. Savva Shanaev & Nikita Shimkus & Binam Ghimire & Satish Sharma, 2020. "Children’s toy or grown-ups’ gamble? LEGO sets as an alternative investment," Journal of Risk Finance, Emerald Group Publishing Limited, vol. 21(5), pages 577-620, November.
   17. Kim Oosterlinck & Jeremy Simon, 2015. "Financial Repression and Bond Market Efficiency: the Case of Italy during World War II," Working Papers CEB 15-001, ULB -- Universite Libre de Bruxelles.
   18. Lars Tegtmeier, 2021. "Testing the Efficiency of Globally Listed Private Equity Markets," JRFM, MDPI, vol. 14(7), pages 1-16, July.
   19. Assaf, Ata & Kristoufek, Ladislav & Demir, Ender & Kumar Mitra, Subrata, 2021. "Market efficiency in the art markets using a combination of long memory, fractal dimension, and approximate entropy measures," Journal of International Financial Markets, Institutions and Money, Elsevier, vol. 71(C).
   20. Urquhart, Andrew, 2016. "The inefficiency of Bitcoin," Economics Letters, Elsevier, vol. 148(C), pages 80-82.
   21. Emmanuel Joel Aikins Abakah & Aviral Kumar Tiwari & Emmanuel Kwesi Arthur & Luis Alberiko Gil-Alana, 2023. "The influence of economic policy uncertainty shocks on art market," Applied Economics, Taylor & Francis Journals, vol. 55(29), pages 3404-3421, June.
   22. Laurs, DK & Renneboog, Luc, 2018. "My Kingdom for a Horse (or a Classic Car)," Other publications TiSEM 8f244bbd-b78b-491b-9021-d, Tilburg University, School of Economics and Management.
       • Laurs, DK & Renneboog, Luc, 2018. "My Kingdom for a Horse (or a Classic Car)," Discussion Paper 2018-037, Tilburg University, Center for Economic Research.
       • Laurs, Dries & Renneboog, Luc, 2019. "My kingdom for a horse (or a classic car)," Journal of International Financial Markets, Institutions and Money, Elsevier, vol. 58(C), pages 184-207.
   23. Giovanni Colavizza, 2022. "Seller-buyer networks in NFT art are driven by preferential ties," Papers 2210.04339, arXiv.org, revised Nov 2022.
   24. Wang, Fang, 2023. "Do emerging art market segments have their own price dynamics? Evidence from the Chinese art market," International Review of Economics & Finance, Elsevier, vol. 84(C), pages 318-331.

7. Geraldine David & Kim Oosterlinck, 2012. "War, Inflation, Monetary Reform and the Art Market," Working Papers 0012, European Historical Economics Society (EHES).

   Cited by:

   1. Uebele, Martin & Pfister, Ulrich & Riedel, Jana, 2012. "Real wages and the origins of modern economic growth in Germany, 16th to 19th centuries," VfS Annual Conference 2012 (Goettingen): New Approaches and Challenges for the Labor Market of the 21st Century 62076, Verein für Socialpolitik / German Economic Association.
      • Ulrich Pfister & Jana Riedel & Martin Uebele, 2012. "Real Wages and the Origins of Modern Economic Growth in Germany, 16th to 19th Centuries," Working Papers 0017, European Historical Economics Society (EHES).
   2. Matthieu Gilson & Kim Oosterlinck & Andrey Ukhov, 2015. "Time-Varying Risk Aversion during World War II: Evidence from Belgian Lottery Bond Prices," Working Papers CEB 15-031, ULB -- Universite Libre de Bruxelles.

8. Geraldine David & Kim Oosterlinck, 2011. "War, Inflation, Monetary Reforms and the Art Market .The Belgian Art market (1944 – 1951)," Working Papers CEB 11-055, ULB -- Universite Libre de Bruxelles.

   Cited by:

   1. Matthieu Gilson & Kim Oosterlinck & Andrey Ukhov, 2015. "Time-Varying Risk Aversion during World War II: Evidence from Belgian Lottery Bond Prices," Working Papers CEB 15-031, ULB -- Universite Libre de Bruxelles.

Articles

1. Geraldine David & Christian Huemer & Kim Oosterlinck, 2023. "Art dealers’ inventory strategy: the case of Goupil, Boussod & Valadon from 1860 to 1914," Business History, Taylor & Francis Journals, vol. 65(1), pages 24-55, January.
   • Geraldine David & Christian Huemer & Kim Oosterlinck, 2020. "Art dealers’ inventory strategy: the case of Goupil, Boussod & Valadon from 1860 to 1914," ULB Institutional Repository 2013/315295, ULB -- Universite Libre de Bruxelles.
   See citations under working paper version above.
2. David, Géraldine & Oosterlinck, Kim & Szafarz, Ariane, 2013. "Art market inefficiency," Economics Letters, Elsevier, vol. 121(1), pages 23-25.
   • Geraldine David & Kim Oosterlinck & Ariane Szafarz, 2013. "Art Market Inefficiency," ULB Institutional Repository 2013/145737, ULB -- Universite Libre de Bruxelles.
   • Geraldine David & Kim Oosterlinck & Ariane Szafarz, 2013. "Art Market Inefficiency," Working Papers CEB 13-011, ULB -- Universite Libre de Bruxelles.
   See citations under working paper version above.Sorry, no citations of articles recorded.

More information

Research fields, statistics, top rankings, if available.

Statistics

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Co-authorship network on CollEc

NEP Fields

NEP is an announcement service for new working papers, with a weekly report in each of many fields. This author has had 8 papers announced in NEP. These are the fields, ordered by number of announcements, along with their dates. If the author is listed in the directory of specialists for this field, a link is also provided.

1. NEP-CUL: Cultural Economics (8) 2011-11-28 2012-01-25 2013-02-16 2014-11-07 2016-07-09 2019-10-21 2021-05-24 2021-10-04. Author is listed
2. NEP-HIS: Business, Economic and Financial History (7) 2011-11-28 2012-01-25 2014-11-07 2016-07-09 2019-10-21 2021-05-24 2021-10-04. Author is listed
3. NEP-MAC: Macroeconomics (2) 2011-11-28 2012-01-25
4. NEP-ORE: Operations Research (1) 2021-05-24

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