Towards a Comparative Economic History of Cinema, 1930–1970
Editor
- John Sedgwick(Oxford Brookes University)
Abstract
Individual chapters are listed in the "Chapters" tab
Suggested Citation
DOI: 10.1007/978-3-031-05770-0
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Book Chapters
The following chapters of this book are listed in IDEAS- John Sedgwick, 2022. "Introduction: ‘Millions of People Every Day’—Cinema as Part of the Quotidian of Life," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 1-18, Springer.
- John Sedgwick, 2022. "Managing Risk in the Film Business—Key Concepts and Methods," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 19-44, Springer.
- F. Andrew Hanssen & John Sedgwick, 2022. "How Did the Department of Justice Get It so Wrong? Philadelphia 1935–1936: The Stanley Warner Chain, Competitive Practices and Consumer Welfare," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 45-64, Springer.
- John Sedgwick, 2022. "Comparative Film Popularity in Three English Cities—Bolton, Brighton, and Portsmouth: An Exercise in POPSTAT Methodology," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 65-86, Springer.
- Åsa Jernudd & John Sedgwick, 2022. "Popular Films in Stockholm During the 1930s: A Presentation and Discussion of the Pioneering Work of Leif Furhammar," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 87-142, Springer.
- Clara Pafort Overduin, 2022. "Dutch Films in the Mid-1930s Dutch Market: A Characteristics Approach to Film Popularity," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 143-183, Springer.
- Dylan Walker & Mike Walsh, 2022. "Unravelling Australia’s ‘Infamous “Contract” System’: Evidence from Adelaide, 1942–1943," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 185-216, Springer.
- Roel Vande Winkel & John Sedgwick, 2022. "Film Exhibition, Distribution and Popularity in German-Occupied Belgium (1940–1944): Brussels, Antwerp and Liege," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 217-247, Springer.
- Daniela Treveri Gennari & John Sedgwick, 2022. "Five Italian Cities: Comparative Analysis of Cinema Types, Film Circulation and Relative Popularity in the Mid-1950s," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 249-279, Springer.
- Pavel Skopal & Terézia Porubčanská & John Sedgwick, 2022. "Cinemagoers Should ‘…learn from progressive movies, again and again’. Cinemagoing in Czechoslovakia, 1949–1952," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 281-306, Springer.
- Konrad Klejsa & John Sedgwick, 2022. "‘It Seems to Me that the Most Popular Films in the West Are Very Harmful to Us’: Film Popularity in Poland During the years of ‘High Stalinisation’," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 307-338, Springer.
- Peter Miskell, 2022. "Americanisation in Reverse? Hollywood Films, International Influences, and US Audiences, 1946–1965," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages 339-356, Springer.
- Roel Vande Winkel & John Sedgwick, 2022. "Correction to: Film Exhibition, Distribution and Popularity in German-Occupied Belgium (1940–1944): Brussels, Antwerp and Liege," Frontiers in Economic History, in: John Sedgwick (ed.), Towards a Comparative Economic History of Cinema, 1930–1970, pages C1-C1, Springer.
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