The Human Settlement: Erwin Anton Gutkind's fascination with Africa and critique of modern design

In the immediate aftermath of the devastation and frustration of the Second World war, several architects and planners in Europe and North America took on the task of expanding their disciplinary boundaries and providing accounts of ‘others’. As they investigated various understandings of human life and the social dimension of the built environment, the interest shifted from the paradigms of modern design to the complexity of distant cultures and the variety beyond the Western tradition. Among those who challenged narrow perspectives was Erwin Anton Gutkind, a planner, architect, and theorist of German origin. Examining his unpublished manuscript, entitled The Human Settlement, and its long chapter on Africa, this article demonstrates how Gutkind pushed the theoretical and geographical limits of the historical research on architecture of his time to develop a project that offered a strong critique of modernist attitudes, internationalist models, and nation-state narratives. The essay also reflects on both Gutkind's exposure of colonial and neocolonial strategies of modernization and westernization on the continent and his problematic representation of local and non-colonial architecture in Africa. The manuscript's merits and limits reveal the significant friction that arose between Gutkind's strategies for including underrepresented voices and his reliance on biased perspectives.