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“Cultural Industries” in Sweden: An Assessment of their Place in the Swedish Economy

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  • Dominic Power

Abstract

This article attempts to define and measure cultural industries in Sweden. It starts with a discussion of the definition and delineation of the term “cultural industries,” arguing that a large range of goods and services can be considered culture industry products and that it is important to place the production and exchange of such products in the context of an industrial systems approach. The concept is then operationalized using Swedish data on employment and the activity of firms. The results suggest that the overall growth in both employment and the number of firms has been especially strong in the cultural industries. However, the number of active firms has been growing at a much faster pace than employment in these industries, indicating a quickly changing business environment. With regard to regional dimensions, Swedish cultural industries have a strong attraction to urban areas but an even stronger propensity to agglomerate. It is suggested that the spatial dynamics observed may be key to the development of the industries’ competencies and success. In summary, the article presents the results of an extensive data analysis that found that cultural industries make an important contribution to the Swedish economy and labor market. It concludes by suggesting issues that need further quantitative and qualitative study.

Suggested Citation

  • Dominic Power, 2002. "“Cultural Industries” in Sweden: An Assessment of their Place in the Swedish Economy," Economic Geography, Taylor & Francis Journals, vol. 78(2), pages 103-127, April.
    • Handle: RePEc:taf:recgxx:v:78:y:2002:i:2:p:103-127
    DOI: 10.1111/j.1944-8287.2002.tb00180.x
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    Cited by:

    1. Scott, Allen J., 2010. "Cultural economy and the creative field of the city," MPRA Paper 32108, University Library of Munich, Germany.
    2. Ann Markusen & Gregory H. Wassall & Douglas DeNatale & Randy Cohen, 2008. "Defining the Creative Economy: Industry and Occupational Approaches," Economic Development Quarterly, , vol. 22(1), pages 24-45, February.
    3. Basile Michel, 2019. "Dynamics of creative quarters: a proximity approach [Dynamiques des quartiers créatifs : une approche par la proximité]," Post-Print hal-02392980, HAL.
    4. Teemu Makkonen, 2014. "Tales from the Thousand Lakes: Placing the Creative Network of Metal Music in Finland," Environment and Planning A, , vol. 46(7), pages 1586-1600, July.
    5. Bobirca Ana & Cristureanu Cristiana & Miclaus Paul-Gabriel, 2009. "Exploring The Conceptual Underpinnings Of The Creative Industries," Annals of Faculty of Economics, University of Oradea, Faculty of Economics, vol. 1(1), pages 88-93, May.
    6. Blanca de-Miguel-Molina & Jose-Luis Hervas-Oliver & Rafael Boix & Maria De-Miguel-Molina, 2011. "The Importance of Creative Industry Agglomerations in Explaining the Wealth of European Regions," European Planning Studies, Taylor & Francis Journals, vol. 20(8), pages 1263-1280, March.
    7. Sara Santos Cruz & Aurora A.C. Teixeira, 2012. "Industry-based methodological approaches to the measurement of Creative Industries: a theoretical and empirical account," FEP Working Papers 453, Universidade do Porto, Faculdade de Economia do Porto.
    8. Balluchi, Federica & Lazzini, Arianna & Torelli, Riccardo, 2021. "Accounting and music: The role of Giuseppe Verdi in shaping the 19th century culture industry," OSF Preprints 5hz87, Center for Open Science.
    9. Neil Lee & Andrés Rodríguez-Pose, 2014. "Creativity, Cities, and Innovation," Environment and Planning A, , vol. 46(5), pages 1139-1159, May.
    10. Allen J Scott, 2005. "Cultural-Products Industries And Urban Economic Development: Prospects For Growth And Market Contestation In Global Context," Urban/Regional 0511005, University Library of Munich, Germany.
    11. Norma M Rantisi & Deborah Leslie & Susan Christopherson, 2006. "Placing the Creative Economy: Scale, Politics, and the Material," Environment and Planning A, , vol. 38(10), pages 1789-1797, October.
    12. Marco Mundelius & Wencke Hertzsch, 2005. "Networks in Berlin’s Music Industry – A Spatial Analysis," ERSA conference papers ersa05p534, European Regional Science Association.
    13. Allen Scott, 2006. "Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited," Small Business Economics, Springer, vol. 26(1), pages 1-24, February.
    14. Marco Mundelius, 2006. "Visual Artists Between Cultural Demand and Economic Subsistence. Empirical Findings From Berlin," ERSA conference papers ersa06p247, European Regional Science Association.
    15. Dominic Power & Mats Lundmark, 2004. "Working through Knowledge Pools: Labour Market Dynamics, the Transference of Knowledge and Ideas, and Industrial Clusters," Urban Studies, Urban Studies Journal Limited, vol. 41(5-6), pages 1025-1044, May.
    16. Patrik Ström & Evelina Wahlqvist, 2010. "Regional And Firm Competitiveness In The Service‐Based Economy: Combining Economic Geography And International Business Theory," Tijdschrift voor Economische en Sociale Geografie, Royal Dutch Geographical Society KNAG, vol. 101(3), pages 287-304, July.
    17. Bertacchini Enrico & Borrione Paola, 2009. "The city mouse and the country mouse: the geography of creativity and cultural production in Italy," EBLA Working Papers 200902, University of Turin.
    18. Hiro Izushi & Yuko Aoyama, 2006. "Industry Evolution and Cross-Sectoral Skill Transfers: A Comparative Analysis of the Video Game Industry in Japan, the United States, and the United Kingdom," Environment and Planning A, , vol. 38(10), pages 1843-1861, October.
    19. Ann Markusen & Greg Schrock, 2006. "The Artistic Dividend: Urban Artistic Specialisation and Economic Development Implications," Urban Studies, Urban Studies Journal Limited, vol. 43(10), pages 1661-1686, September.
    20. Riikka Penttinen, 2006. "Where Art Thou? Regional Distribution of Culture Workers in Finland," ERSA conference papers ersa06p175, European Regional Science Association.

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