IDEAS home Printed from https://ideas.repec.org/a/plo/pone00/0242207.html
   My bibliography  Save this article

From beat tracking to beat expectation: Cognitive-based beat tracking for capturing pulse clarity through time

Author

Listed:
  • Martin Alejandro Miguel
  • Mariano Sigman
  • Diego Fernandez Slezak

Abstract

Pulse is the base timing to which western music is commonly notated, generally expressed by a listener by performing periodic taps with their hand or foot. This cognitive construction helps organize the perception of timed events in music and is the most basic expectation in rhythms. The analysis of expectations, and more specifically the strength with which the beat is felt—the pulse clarity—has been used to analyze affect in music. Most computational models of pulse clarity, and rhythmic expectation in general, analyze the input as a whole, without exhibiting changes through a rhythmic passage. We present Tactus Hypothesis Tracker (THT), a model of pulse clarity over time intended for symbolic rhythmic stimuli. The model was developed based on ideas of beat tracking models that extract beat times from musical stimuli. Our model also produces possible beat interpretations for the rhythm, a fitness score for each interpretation and how these evolve in time. We evaluated the model’s pulse clarity by contrasting against tapping variability of human annotators achieving results comparable to a state-of-the-art pulse clarity model. We also analyzed the clarity metric dynamics on synthetic data that introduced changes in the beat, showing that our model presented doubt in the pulse estimation process and adapted accordingly to beat changes. Finally, we assessed if the beat tracking generated by the model was correct regarding listeners tapping data. We compared our beat tracking results with previous beat tracking models. The THT model beat tracking output showed generally correct estimations in phase but exhibits a bias towards a musically correct subdivision of the beat.

Suggested Citation

  • Martin Alejandro Miguel & Mariano Sigman & Diego Fernandez Slezak, 2020. "From beat tracking to beat expectation: Cognitive-based beat tracking for capturing pulse clarity through time," PLOS ONE, Public Library of Science, vol. 15(11), pages 1-22, November.
  • Handle: RePEc:plo:pone00:0242207
    DOI: 10.1371/journal.pone.0242207
    as

    Download full text from publisher

    File URL: https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0242207
    Download Restriction: no

    File URL: https://journals.plos.org/plosone/article/file?id=10.1371/journal.pone.0242207&type=printable
    Download Restriction: no

    File URL: https://libkey.io/10.1371/journal.pone.0242207?utm_source=ideas
    LibKey link: if access is restricted and if your library uses this service, LibKey will redirect you to where you can use your library subscription to access this item
    ---><---

    References listed on IDEAS

    as
    1. Maria A G Witek & Eric F Clarke & Mikkel Wallentin & Morten L Kringelbach & Peter Vuust, 2014. "Syncopation, Body-Movement and Pleasure in Groove Music," PLOS ONE, Public Library of Science, vol. 9(4), pages 1-12, April.
    Full references (including those not matched with items on IDEAS)

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Brian C Wesolowski & Alex Hofmann, 2016. "There’s More to Groove than Bass in Electronic Dance Music: Why Some People Won’t Dance to Techno," PLOS ONE, Public Library of Science, vol. 11(10), pages 1-23, October.
    2. Tomas E Matthews & Maria A G Witek & Ole A Heggli & Virginia B Penhune & Peter Vuust, 2019. "The sensation of groove is affected by the interaction of rhythmic and harmonic complexity," PLOS ONE, Public Library of Science, vol. 14(1), pages 1-17, January.
    3. Jonah Katz & Emmanuel Chemla & Christophe Pallier, 2015. "An Attentional Effect of Musical Metrical Structure," PLOS ONE, Public Library of Science, vol. 10(11), pages 1-14, November.
    4. Olivier Senn & Lorenz Kilchenmann & Toni Bechtold & Florian Hoesl, 2018. "Groove in drum patterns as a function of both rhythmic properties and listeners’ attitudes," PLOS ONE, Public Library of Science, vol. 13(6), pages 1-33, June.

    More about this item

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:plo:pone00:0242207. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: plosone (email available below). General contact details of provider: https://journals.plos.org/plosone/ .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.