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Hollywood Economics: How Extreme Uncertainty Shapes The Film Industry

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  • Darlene Chisholm

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  • Darlene Chisholm, 2005. "Hollywood Economics: How Extreme Uncertainty Shapes The Film Industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(3), pages 233-237, August.
    • Handle: RePEc:kap:jculte:v:29:y:2005:i:3:p:233-237
    DOI: 10.1007/s10824-005-2858-4
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    References listed on IDEAS

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    1. Charles Moul, 2001. "Evidence of Qualitative Learning‐by‐Doing from the Advent of the ‘Talkie’," Journal of Industrial Economics, Wiley Blackwell, vol. 49(1), pages 97-109, March.
    2. Chisholm, Darlene C. & Norman, George, 2004. "Heterogeneous preferences and location choice with multi-product firms," Regional Science and Urban Economics, Elsevier, vol. 34(3), pages 321-339, May.
    3. Kenneth S. Corts, 2001. "The Strategic Effects of Vertical Market Structure: Common Agency and Divisionalization in the US Motion Picture Industry," Journal of Economics & Management Strategy, Wiley Blackwell, vol. 10(4), pages 509-528, December.
    4. Davis, Peter, 2000. "Empirical models of demand for differentiated products," European Economic Review, Elsevier, vol. 44(4-6), pages 993-1005, May.
    5. F. Andrew, 2002. "Revenue-Sharing in Movie Exhibition and the Arrival of Sound," Economic Inquiry, Western Economic Association International, vol. 40(3), pages 380-402, July.
    6. Hanssen, F Andrew, 2000. "The Block Booking of Films Reexamined," Journal of Law and Economics, University of Chicago Press, vol. 43(2), pages 395-426, October.
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