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Tratantes de arte y los grandes maestros de la pintura

Author

Listed:
  • Carlos Alejandro Ponzio de León

    (Universidad Anahuac)

Abstract

This paper presents a model on the relationship born during the Renaissance, between artists and dealers. It establishes the conditions that made possible such an arrangement. The model explains why this contract functioned properly among minor painters, and why the Great Masters did not got involved on it. Finally, the model studies the relationship between the number of artists signed under one single dealer and the marketing and promotional cost of the works of art.

Suggested Citation

  • Carlos Alejandro Ponzio de León, 2015. "Tratantes de arte y los grandes maestros de la pintura," Estudios Económicos, El Colegio de México, Centro de Estudios Económicos, vol. 30(2), pages 245-268.
    • Handle: RePEc:emx:esteco:v:30:y:2015:i:2:p:245-268
    as

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    File URL: https://estudioseconomicos.colmex.mx/index.php/economicos/article/view/28/28
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    References listed on IDEAS

    as
    1. Aghion, Philippe & Howitt, Peter, 1992. "A Model of Growth through Creative Destruction," Econometrica, Econometric Society, vol. 60(2), pages 323-351, March.
    2. Michael Kremer, 1993. "Population Growth and Technological Change: One Million B.C. to 1990," The Quarterly Journal of Economics, President and Fellows of Harvard College, vol. 108(3), pages 681-716.
    Full references (including those not matched with items on IDEAS)

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    More about this item

    Keywords

    contracts; art markets; great masters of painting;
    All these keywords.

    JEL classification:

    • D46 - Microeconomics - - Market Structure, Pricing, and Design - - - Value Theory
    • N84 - Economic History - - Micro-Business History - - - Europe: 1913-
    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature

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