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Copyright and Economic Theory

Citations

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Cited by:

  1. Paul Belleflamme & Pierre M. Picard, 2007. "Piracy and Competition," Journal of Economics & Management Strategy, Wiley Blackwell, vol. 16(2), pages 351-383, June.
  2. Francisco Vázquez & Richard Watt, 2011. "Copyright piracy as prey–predator behavior," Journal of Bioeconomics, Springer, vol. 13(1), pages 31-43, April.
  3. Tobias Regner & Maija Halonen-Akatwijuka, 2004. "Digital Technology And The Allocation Of Ownership In The Music Industry," Royal Economic Society Annual Conference 2004 54, Royal Economic Society.
  4. Christian Handke, 2014. "Collective administration," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 11, pages 179-204, Edward Elgar Publishing.
  5. P Belleflamme & P M Picard, 2003. "Competition over Piratable Goods," Economics Discussion Paper Series 0332, Economics, The University of Manchester.
  6. Richard Watt, 2014. "Copyright collectives: some basic economic theory," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 10, pages 167-178, Edward Elgar Publishing.
  7. Alan E. Singer, 2003. "Enterprise Action For The Common Good: Market Limitations As Strategic Problems," Journal of Enterprising Culture (JEC), World Scientific Publishing Co. Pte. Ltd., vol. 11(01), pages 69-88.
  8. Olivier Bomsel, 2010. "Copyright et droit des marques à l'ère numérique," Post-Print hal-00494225, HAL.
  9. Olivier Bomsel & Heritiana Ranaivoson, 2009. "Decreasing Copyright Enforcement Costs: The Scope of a Gradual Response," Post-Print hal-00446189, HAL.
  10. Frank Mueller-Langer, 2014. "Copyright and parallel trade," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 16, pages 287-310, Edward Elgar Publishing.
  11. Geffroy, Olivier & Geffroy, Anne-Gaëlle, 2006. "DRMs, Innovation and Creation," MPRA Paper 3515, University Library of Munich, Germany.
  12. Stan J. Liebowitz & Richard Watt, 2006. "How To Best Ensure Remuneration For Creators In The Market For Music? Copyright And Its Alternatives," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 513-545, September.
  13. Towse Ruth, 2007. "The Singer or the Song? Developments in Performers' Rights from the Perspective of a Cultural Economist," Review of Law & Economics, De Gruyter, vol. 3(3), pages 745-766, December.
  14. Sanz, Esteve, 2015. "Copyright indicators and the costs of symbolic production: The cultural dimension of telecommunications policy," Telecommunications Policy, Elsevier, vol. 39(3), pages 208-217.
  15. Olivier P. Bomsel, 2013. "Copyright And Brands In The Digital Age: Internalizing The Externalities Of Meaning," Contemporary Economic Policy, Western Economic Association International, vol. 31(1), pages 126-134, January.
  16. Joseph Amankwah-Amoah & Stephen Kehinde Medase, 2024. "Extracting Innovation Value from Intellectual Property: Evidence from sub-Saharan Africa," Journal of the Knowledge Economy, Springer;Portland International Center for Management of Engineering and Technology (PICMET), vol. 15(2), pages 8933-8967, June.
  17. Erwin Arkenbout & Frans van Dijk & Peter van Wijck, 2004. "Copyright in the Information Society: Scenario's and Strategies," European Journal of Law and Economics, Springer, vol. 17(2), pages 237-249, March.
  18. Olivier Bomsel, 2014. "Free-Riding and Luxury Brands on the Internet," Post-Print hal-01110929, HAL.
  19. Erickson, Kristofer, 2018. "Can creative firms thrive without copyright? Value generation and capture from private-collective innovation," Business Horizons, Elsevier, vol. 61(5), pages 699-709.
  20. Sacha Wunsch-Vincent, 2013. "The economics of copyright and the internet: Moving to an empirical assessment relevant in the digital era," WIPO Economic Research Working Papers 09, World Intellectual Property Organization - Economics and Statistics Division.
  21. Sacha Wunsch-Vincent, 2016. "The Economics of Copyright and the Internet: Moving to an Empirical Assessment Relevant in the Digital Age," Working Papers id:10905, eSocialSciences.
  22. Richard Watt, 2013. "Copyright law and royalty contracts," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 18, pages 197-208, Edward Elgar Publishing.
  23. Ruth Towse, 2006. "Copyright And Artists: A View From Cultural Economics," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 567-585, September.
  24. Arun Sundararajan, 2003. "Managing Digital Piracy: Pricing, Protection and Welfare," Law and Economics 0307001, University Library of Munich, Germany.
  25. Pollock, Rufus, 2008. "Forever Minus a Day? Theory and Empirics of Optimal Copyright Term," MPRA Paper 8887, University Library of Munich, Germany, revised 15 May 2008.
  26. Erickson, Kristofer & Homberg, Fabian & Kretschmer, Martin, 2024. "The role of openness in creative innovation: Evidence from digital crowdfunding," Technological Forecasting and Social Change, Elsevier, vol. 206(C).
  27. Richard Watt, 2014. "Copying and the pricing of information goods," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 12, pages 207-224, Edward Elgar Publishing.
  28. Alan E. Woodfield, 2006. "Piracy Accommodation and the Optimal Timing of Royalty Payments," Working Papers in Economics 06/01, University of Canterbury, Department of Economics and Finance.
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