How Artwork Was Used to Obtain Unambiguous Empirical Evidence of Superdeterminism

The United Nations has designated 2025 as the ‘International Year of Quantum Science and Technology’ in recognition of the 100-year anniversary of the theory of quantum mechanics. As with all fields of science, unbiased empirical evidence can establish if a scientific theory is valid or not. By repeating what had been done twice before, I developed a nonlocal no-go method, i.e., the Method of Everything, that tested without ambiguity physicist John S Bell’s superdeterminism loophole, thereby establishing that nonlocal cause predetermines local effects. This means that quantum mechanics is not a fundamental theory as currently recognized. It also means that Albert Einstein was correct about quantum mechanics being an incomplete theory. In the peer-reviewed Method of Everything manuscript, I presented unambiguous empirical evidence that confirmed local events are predetermined nonlocally. Therefore, the goal of this article is not to rehash what has already been published. Rather, I will review the manuscript by addressing how I used artwork as a mechanism to empirically confirm superdeterminism by leading the reader through the lessons I learned and the steps taken while also addressing why scientists, in general, could not make the same discovery. Moreover, I have provided an experiment for the entire human race to confirm and thus peer-review my findings for themselves by testing if the functions of motion are predetermined laws of nature. Accordingly, I discuss the ramifications of this discovery as well as how the findings can help to advance science.