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Hitting the High Notes: Orchestras' Funding Models

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  • Salvaggio, Salvino A.

Abstract

This brief note explores the varied funding models for orchestras worldwide, illustrating how historical, cultural, political, and economic factors shape their financial strategies. Orchestras in Europe often benefit from substantial government support, viewing cultural pursuits as public goods, whereas those in the United States predominantly rely on private funding due to limited public subsidies. A hybrid model is also discussed, prevalent in the UK, Asia, and Australia, which combines governmental support with private sources to ensure financial stability and uphold the cultural significance of orchestral music. The note emphasises the need for skilled management across these diverse funding environments to sustain long-term viability and achieve artistic goals.

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  • Salvaggio, Salvino A., 2024. "Hitting the High Notes: Orchestras' Funding Models," OSF Preprints awdpv, Center for Open Science.
    • Handle: RePEc:osf:osfxxx:awdpv
    DOI: 10.31219/osf.io/awdpv
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    1. Hyun-Seung Park & Hyeon-Cheol Kim, 2020. "Impact of Government Support on Performing Artists’ Job and Life Satisfaction: Findings from The National Survey in Korea," IJERPH, MDPI, vol. 17(20), pages 1-8, October.
    2. Muzychuk, V., 2019. "Financing of the Arts and Culture in Russia: A Step Forward and Two Back..," Journal of the New Economic Association, New Economic Association, vol. 41(1), pages 208-215.
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