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La survie des nouvelles entreprises culturelles : le rôle du regroupement géographique

Author

Listed:
  • Véronique Simonnet

    (CES - Centre d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne - CNRS - Centre National de la Recherche Scientifique)

  • Xavier Greffe

    (CES - Centre d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne - CNRS - Centre National de la Recherche Scientifique)

Abstract

A partir des données de l'enquête SINE 98 de l'INSEE, une étude économétrique de la survie des entreprises culturelles fait apparaître les résultats suivants. Premièrement, le pourcentage d'entreprises qui meurent chaque année n'est pas stable au cours du temps et diffère selon le secteur considéré (arts visuels, spectacle vivant, patrimoine, édition, audiovisuel ou produits culturels). Le risque artisanal est très fort les trois ou quatre premières années alors que le risque industriel apparaît une fois ces premières années passées. Deuxièmement, le taux de survie des entreprises culturelles est très sensible à leur regroupement géographique. Si la proximité d'entreprises ayant la même activité est néfaste à la survie des entreprises culturelles, une forte concentration d'activités culturelles variées est très fortement bénéfique à leur survie. L'effet de synergie l'emporte sur l'effet de concurrence. Il donne un fondement à la productivité des regroupements d'entreprises culturelles qualifiés de pôle de compétitivité culturel ou de district culturel.

Suggested Citation

  • Véronique Simonnet & Xavier Greffe, 2008. "La survie des nouvelles entreprises culturelles : le rôle du regroupement géographique," Post-Print halshs-00310918, HAL.
    • Handle: RePEc:hal:journl:halshs-00310918
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    Citations

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    Cited by:

    1. Basile Michel & Charles Ambrosino, 2019. "Territorialised or without commitment: An in-depth analysis of ‘‘cultural and creative’’ activities in a post-industrial neighbourhood in Grenoble [Territorialisées ou sans attaches : les activités," Post-Print hal-02139388, HAL.
    2. Solène Chesnel & Jérémie Molho & Florian Raimbeau & Hélène Morteau & Dominique Sagot-Duvauroux, 2013. "Les clusters ou districts industriels du domaine culturel et médiatique : revue du savoir économique et questionnement," Working Papers hal-02502563, HAL.
    3. Marie-Goreth Nduwayo & Michel Sayumwe, 2018. "Analysis Grid of Adjustment Strategies of Non-profit Organizations Benefiting From Microcredit to the Constraints of Microfinance Institutions: The Case of Burundi," International Journal of Financial Research, International Journal of Financial Research, Sciedu Press, vol. 9(3), pages 86-97, July.
    4. Francesca Cominelli & Xavier Greffe, 2013. "Why and how intangible cultural heritage should be safeguarded," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 20, pages i-i, Edward Elgar Publishing.
    5. Bastié Françoise & Cieply Sylvie & Cussy Pascal, 2011. "The Survival of New Firms: Do Bank Loans at Birth Matter?," Economics Working Paper Archive (University of Rennes & University of Caen) 201110, Center for Research in Economics and Management (CREM), University of Rennes, University of Caen and CNRS.

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