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Arles: the emergence of an artistic metascene driven by three private initiatives
[Arles : l’émergence d’une métascène artistique portée par trois initiatives privées]

Author

Listed:
  • Nathalie Moureau

    (RIRRA 21 - Représenter, Inventer la Réalité, du Romantisme au XXIe siècle - UPVM - Université Paul-Valéry - Montpellier 3)

  • Dominique Sagot-Duvauroux

    (GRANEM - Groupe de Recherche Angevin en Economie et Management - UA - Université d'Angers - AGROCAMPUS OUEST - Institut National de l'Horticulture et du Paysage)

Abstract

The aim of this chapter is to show how, starting from a singular territorial configuration, three initiatives by Arles-based players have, since the 1970s, profoundly transformed the city's economic trajectory and image, making it an internationally recognized arts scene. But while the first two (RIP and Actes Sud) are gradually expanding their activities to irrigate and enhance the area, the third (Fondation LUMA) is transforming the city to suit its project, replacing local authorities in the urban fabric at the risk of calling into question the mechanisms of choice inherent in a democracy.

Suggested Citation

  • Nathalie Moureau & Dominique Sagot-Duvauroux, 2025. "Arles: the emergence of an artistic metascene driven by three private initiatives [Arles : l’émergence d’une métascène artistique portée par trois initiatives privées]," Post-Print hal-04891473, HAL.
    • Handle: RePEc:hal:journl:hal-04891473
    as

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