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Experiencing vulnerability between frontstage and backstage identities: the vulnerable ‘I’s in creative writing workshops

Author

Listed:
  • Manon Vignaud

    (DRM - Dauphine Recherches en Management - Université Paris Dauphine-PSL - PSL - Université Paris Sciences et Lettres - CNRS - Centre National de la Recherche Scientifique)

Abstract

In the context of creative writing groups, this paper explores how the affective experience of vulnerability as a basis for driving more reciprocal and interdependent caring relations involves articulating orientations towards individuality and orientations towards relationality. I examine this experience of vulnerability as an ambivalent embodied condition shaped by sociocultural norms and expectations by drawing on Goffman's theorisation of frontstage and backstage identities. I suggest that vulnerability is experienced differently between the level of frontstage identity (as writer-listeners) and the more intimate level of backstage identity. Throughout my writing, I embody the story I tell by interweaving experiences of vulnerability in the collective context of creative writing workshops and in the co-writing experience of the academic review process.

Suggested Citation

  • Manon Vignaud, 2024. "Experiencing vulnerability between frontstage and backstage identities: the vulnerable ‘I’s in creative writing workshops," Post-Print hal-04842578, HAL.
  • Handle: RePEc:hal:journl:hal-04842578
    as

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