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Dissonance des objectifs dans la chaîne de production des œuvres patrimoniales en réalité virtuelle : trouver le compromis entre transmission des savoirs et expériences émotionnelles

Author

Listed:
  • Marie Ballarini

    (DRM - Dauphine Recherches en Management - Université Paris Dauphine-PSL - PSL - Université Paris Sciences et Lettres - CNRS - Centre National de la Recherche Scientifique)

  • Charles-Alexandre Delestage

    (MICA - Médiation, Information, Communication, Art - UBM - Université Bordeaux Montaigne, ELLIADD - Edition, Littératures, Langages, Informatique, Arts, Didactique, Discours - UFC (UR 4661) - UFC - Université de Franche-Comté - UBFC - Université Bourgogne Franche-Comté [COMUE])

Abstract

Dissonance of objectives in the production chain of heritage works in virtual realityWith the development of immersive technologies, virtual reality is gradually being incorporated into museum and heritage mediation systems. While lessons have been learned from other incursions of digital technology into museums, these devices do raise questions about the notion of presence that they evoke. This articulates with a dynamic relating to the question of the emotions of visitors to the exhibitions, that have been explored over the last twenty years or so. Through the study of three systems implemented in major museum and heritage institutions (Louvre, Louvre-Lens, Grotte Chauvet), the article proposes reflection on the negotiation between the different actors involved in these systems, and the conflicting emotional and mediation imperatives involved.

Suggested Citation

  • Marie Ballarini & Charles-Alexandre Delestage, 2023. "Dissonance des objectifs dans la chaîne de production des œuvres patrimoniales en réalité virtuelle : trouver le compromis entre transmission des savoirs et expériences émotionnelles," Post-Print hal-04380228, HAL.
    • Handle: RePEc:hal:journl:hal-04380228
    DOI: 10.3917/res.242.0163
    as

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