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Créateurs de contenus et institutions culturelles : Formes et enjeux de collaboration

Author

Listed:
  • Marie Ballarini

    (DRM - Dauphine Recherches en Management - Université Paris Dauphine-PSL - PSL - Université Paris Sciences et Lettres - CNRS - Centre National de la Recherche Scientifique)

  • I. Bastard

    (BnF_DSG - Bibliothèque nationale de France, Délégation à la Stratégie et à la recherche - BnF - Bibliothèque nationale de France)

Abstract

Existing on social networks has become an absolute necessity for cultural institutions over the last decade. There are, however, multiple modes of existence in digital spaces: if institutional accounts constitute a starting point for many, digital strategy also involves thinking about articulations with the spontaneous and multiple expression emblematic of the web, whether that of visitors, competitors, or prescribers. Among these voices, we focus on those of a new form of prescription and mediation by content creators, sometimes called art influencers. Neither speaker guides, nor journalists, heirs of communication agencies and audiovisual production companies, these new actors, generally individual, have heterogeneous motivations and objectives, witnesses of an ecosystem in the process of being reconfigured. Their positioning and their relationships with traditional players in the field are therefore under construction and it is these reconstructions that this text proposes to follow.

Suggested Citation

  • Marie Ballarini & I. Bastard, 2023. "Créateurs de contenus et institutions culturelles : Formes et enjeux de collaboration," Post-Print hal-04353078, HAL.
  • Handle: RePEc:hal:journl:hal-04353078
    DOI: 10.4000/rfsic.14948
    Note: View the original document on HAL open archive server: https://hal.science/hal-04353078v1
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    Keywords

    Médiation; Musée; Réseaux sociaux; Créateurs de contenus; Collaboration professionnelle;
    All these keywords.

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