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Content quotas and prominence on VOD services

Author

Listed:
  • Joëlle Farchy

    (UP1 - Université Paris 1 Panthéon-Sorbonne, CES - Centre d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne - CNRS - Centre National de la Recherche Scientifique, Ecole des Médias et du Numérique de la Sorbonne (EMNS) - UP1 UFR02 - Université Paris 1 Panthéon-Sorbonne - École d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne)

  • Grégoire Bideau

    (UP1 - Université Paris 1 Panthéon-Sorbonne, Ecole des Médias et du Numérique de la Sorbonne (EMNS) - UP1 UFR02 - Université Paris 1 Panthéon-Sorbonne - École d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne)

  • Steven Tallec

    (UP1 - Université Paris 1 Panthéon-Sorbonne, Ecole des Médias et du Numérique de la Sorbonne (EMNS) - UP1 UFR02 - Université Paris 1 Panthéon-Sorbonne - École d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne)

Abstract

The prevalence of non-linear viewing habits calls for new regulation practices that extend beyond the current scope of traditional audiovisual regulators. Yet content quotas expressed as shares of a VOD service's catalogue are in the process of being implemented across the European Union. Somewhat inadequately, the same methods for regulating cultural diversity have crossed over from linear television to non-linear services. Only a vague mention of prominence in the European Union's AVMS Directive hints at a new, non-linear world, which regulators are ill-equipped to exert control over. We argue that the political ambition to promote European works comes up against unprecedented difficulties of application.

Suggested Citation

  • Joëlle Farchy & Grégoire Bideau & Steven Tallec, 2021. "Content quotas and prominence on VOD services," Post-Print hal-03990239, HAL.
    • Handle: RePEc:hal:journl:hal-03990239
    DOI: 10.1080/10286632.2021.1967944
    as

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