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Evolution de la consommation musicale : vers un top 50 2.0

Author

Listed:
  • Alice Sohier

    (NIMEC - Normandie Innovation Marché Entreprise Consommation - UNICAEN - Université de Caen Normandie - NU - Normandie Université - ULH - Université Le Havre Normandie - NU - Normandie Université - UNIROUEN - Université de Rouen Normandie - NU - Normandie Université - IRIHS - Institut de Recherche Interdisciplinaire Homme et Société - UNIROUEN - Université de Rouen Normandie - NU - Normandie Université)

  • Jordane Creusier

    (LEM - Laboratoire d'Economie et de Management - UNS - Université Nice Sophia Antipolis (1965 - 2019) - CNRS - Centre National de la Recherche Scientifique - UniCA - Université Côte d'Azur)

  • Romain Sohier

    (Métis Lab EM Normandie - EM Normandie - École de Management de Normandie)

Abstract

Music industry is a system with artists, producers, consumers and predictors. These actors have to deal with a common thing : the music rankings. This paper analyzes variations about physical sales ranking, legally downloaded music ranking and illegally downloaded music ranking. A longitudinal study based on 7920 observations allows us to show the different rankings are all as stable as each other, however the surviving time of the artists is not the same depending on the classification considered

Suggested Citation

  • Alice Sohier & Jordane Creusier & Romain Sohier, 2021. "Evolution de la consommation musicale : vers un top 50 2.0," Post-Print hal-03632880, HAL.
    • Handle: RePEc:hal:journl:hal-03632880
    DOI: 10.3917/mav.125.0161
    as

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