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A economia da Semana de Arte Moderna de 1922

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  • Werlang, Sérgio Ribeiro da Costa

Abstract

Este artigo investiga a Semana de Arte Moderna de 1922 do ponto de vista da Economia da Arte. As definições formais de arte tendem a ser de dois tipos: funcionalistas e convencionalistas; com a definição convencionalista possuindo similaridades com o equilíbrio de Nash e seus múltiplos resultados. A Semana de 22 é coerente com a definição convencionalista, no sentido de que é possível ter interpretações distintas sobre seu valor artístico. E uma interpretação é que a Semana de 22 foi uma maneira de introduzir a visão modernista para a elite paulista – visão esta que já estava presente no Rio de Janeiro desde a primeira década do século XX.

Suggested Citation

  • Werlang, Sérgio Ribeiro da Costa, 2024. "A economia da Semana de Arte Moderna de 1922," Textos para discussão 570, FGV EESP - Escola de Economia de São Paulo, Fundação Getulio Vargas (Brazil).
    • Handle: RePEc:fgv:eesptd:570
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