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Music Business and the Experience Economy
Editor
- Peter Tschmuck(University of Music and)Philip L. Pearce(James Cook University Townsville)Steven Campbell(James Cook University Townsville)
Abstract
No abstract is available for this item.Individual chapters are listed in the "Chapters" tab
Suggested Citation
- Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), 2013. "Music Business and the Experience Economy," Springer Books, Springer, edition 127, number 978-3-642-27898-3, June.
Handle: RePEc:spr:sprbok:978-3-642-27898-3
DOI: 10.1007/978-3-642-27898-3
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Book Chapters
The following chapters of this book are listed in IDEAS- Philip L. Pearce, 2013. "From Discord to Harmony: Connecting Australian Music and Business Through the Experience Economy," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 1-9, Springer.
- Phil Graham, 2013. "Australian Copyright Regimes and Political Economy of Music," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 11-26, Springer.
- David Salisbury, 2013. "New Music Production Modes and Indigenous Music in North Queensland and the Torres Strait," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 27-40, Springer.
- Steven Campbell, 2013. "Australian Independent Music and the Experience Economy," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 41-57, Springer.
- Peter Tschmuck, 2013. "Recorded Music Sales and Music Licencing in Australia, 2000–2011," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 59-77, Springer.
- Jordi McKenzie, 2013. "P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 79-97, Springer.
- Philipp Peltz, 2013. "Digital Distribution Models Reviewed: The Content Provider’s Perspective," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 99-117, Springer.
- Breda McCarthy, 2013. "The Landscape of Music Festivals in Australia," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 119-134, Springer.
- Guy Morrow, 2013. "The Influence of Dirty Pool on the Australian Live Music Industry: A Case Study of Boy & Bear," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 135-152, Springer.
- Laurie Murphy & Andrea Schurmann & Gianna Moscardo, 2013. "Building Brands with Music: Australian Cases," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 153-174, Springer.
- Philip L. Pearce, 2013. "Australian Music and Aussie Team Sports: How the Experience Economy and the Score Interact," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 175-188, Springer.
- Peter Tschmuck, 2013. "The Valuation of Music in Australia: A Chart Analysis 1988–2011," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 189-214, Springer.
- Ryan Daniel, 2013. "Enterprise Learning in Australasian Tertiary Music Education: The Status Quo," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 215-229, Springer.
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