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Climate change and visual imagery

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  • Saffron J. O'Neill
  • Nicholas Smith

Abstract

Many actors—including scientists, journalists, artists, and campaigning organizations—create visualizations of climate change. In doing so, they evoke climate change in particular ways, and make the issue meaningful in everyday discourse. While a diversity of climate change imagery exists, particular types of climate imagery appear to have gained dominance, promoting particular ways of knowing about climate change (and marginalizing others). This imagery, and public engagement with this imagery, helps to shape the cultural politics of climate change in important ways. This article critically reviews the nascent research area of the visual representations of climate change, and public engagement with visual imagery. It synthesizes a diverse body of research to explore visual representations and engagement across the news media, NGO communications, advertising, and marketing, climate science, art, and virtual reality systems. The discussion brings together three themes which occur throughout the review: time, truth, and power. The article concludes by suggesting fruitful directions for future research in the visual communication of climate change. WIREs Clim Change 2014, 5:73–87. doi: 10.1002/wcc.249 This article is categorized under: Perceptions, Behavior, and Communication of Climate Change > Communication

Suggested Citation

  • Saffron J. O'Neill & Nicholas Smith, 2014. "Climate change and visual imagery," Wiley Interdisciplinary Reviews: Climate Change, John Wiley & Sons, vol. 5(1), pages 73-87, January.
  • Handle: RePEc:wly:wirecc:v:5:y:2014:i:1:p:73-87
    DOI: 10.1002/wcc.249
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    Cited by:

    1. Victoria Wibeck & Tina‐Simone Neset, 2020. "Focus groups and serious gaming in climate change communication research—A methodological review," Wiley Interdisciplinary Reviews: Climate Change, John Wiley & Sons, vol. 11(5), September.
    2. Prof. Sunday Olayinka Alawade & Maria Kisugu Obun-Andy, 2024. "The Role of Media in Shaping Public Perception of Climate Change," International Journal of Research and Innovation in Social Science, International Journal of Research and Innovation in Social Science (IJRISS), vol. 8(1), pages 2442-2448, January.
    3. Harriet Hawkins & Anja Kanngieser, 2017. "Artful climate change communication: overcoming abstractions, insensibilities, and distances," Wiley Interdisciplinary Reviews: Climate Change, John Wiley & Sons, vol. 8(5), September.
    4. Richard Twine, 2021. "Emissions from Animal Agriculture—16.5% Is the New Minimum Figure," Sustainability, MDPI, vol. 13(11), pages 1-8, June.
    5. Emily J. Tetzlaff & Nicholas Goulet & Nihal Yapici & Melissa Gorman & Gregory R.A. Richardson & Paddy M. Enright & Glen P. Kenny, 2024. "Beach day or deadly heatwave? Content analysis of media images from the 2021 Heat Dome in Canada," Climatic Change, Springer, vol. 177(5), pages 1-27, May.
    6. Yann Aguila, 2020. "A Global Pact for the Environment: The Logical Outcome of 50 Years of International Environmental Law," Sustainability, MDPI, vol. 12(14), pages 1-17, July.
    7. Ambika Markanday & Steffen Kallbekken & Ibon Galarraga, 2022. "The power of impact framing and experience for determining acceptable levels of climate change-induced flood risk: a lab experiment," Mitigation and Adaptation Strategies for Global Change, Springer, vol. 27(2), pages 1-18, February.
    8. Esmene Shukru & Leyshon Michael, 2019. "The Role of Rural Heterogeneity in Knowledge Mobilisation and Sociotechnical Transitions: Reflections from a Study on Electric Vehicles as an Alternative Technology for Cornwall, UK," European Countryside, Sciendo, vol. 11(4), pages 661-671, December.
    9. David Shim, 2024. "Personalising climate change—how activists from Fridays for Future visualise climate action on Instagram," Palgrave Communications, Palgrave Macmillan, vol. 11(1), pages 1-9, December.

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