Wrecking London’s skyline?

How can we develop a political critique of urban form at the time of a tall building boom? Pointing to limitations of interpreting towers as representations of finance and power, I introduce an understanding of skylines as phantasmagoria of capitalist culture: a dazzling image that abstracts from the commodified urban landscape by promoting its further commodification. I show that both professionals who argue for and those who argue against the construction of tall office buildings in London approach the built environment as an easily marketable visual reproduction that is defined as a compositional whole: a bounded composition with St Paul’s Cathedral at its centre. I claim that this approach and the widespread idea that commercial skyscrapers destroy the historic cityscape assume an element of integrity that is ideological and which itself must be ‘ruined’ because it forecloses a space for emancipatory politics. My argument for a shift of the ways in which cityscapes are viewed draws on Walter Benjamin’s critical montages and allegories. I explore his reading of ruins as emblems of the fragility and destructiveness of capitalist culture and his understanding of ruination as a form of critique. My discussion of ruining the city’s beautiful appearance focuses on wholeness and symbolic coherence. In so doing, I provide an interpretation of skylines that sheds light on the ways in which financial capitalism is justified by a specific way of viewing the city and the ways in which it is embedded in texts that are deemed to be socially meaningful.