Making sense of absence

Based on Tsai Ming-liang's cinematic portrayals of cities, I argue for consideration and appreciation of artistic devices in our thinking and writing on cities. Specifically, I look into four types of absence the Taiwanese director engages with: absence of movement, absence of speech, absence of home and absence of infrastructure. Tsai depicts absence by extrapolating what seem to be inherent elements of an urban situation or an urban setting thus disrupting their taken-for-grantedness. Tsai's multi-layered preoccupation with the notion of absence and the visual language he develops to talk about it may be inspiring for urban researchers, especially those among us working with visual methods. After introducing his work and elaborating on its urban contexts, I will investigate Tsai Ming-liang's use of absence as a method of inquiring into various aspects of urban life, particularly those involving interactions with infrastructure. In the spirit of interdisciplinary and inclusive thinking promoted by City , I will conclude by reiterating the validity of cinema—among other arts—as a tool for critical reflection on cities.