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Evoking Nostalgia: Graffiti as Medium in Urban Space

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  • Wen Li
  • Peng Liu

Abstract

This study examines the role of graffiti as a medium in urban spaces, particularly in the context of Macau. Graffiti, seen as a form of artistic expression, has the potential to invigorate and enliven public spaces. Utilizing visual ethnography methods and analyzing cultural policies, the paper aims to examine the presence of graffiti in various neighborhoods within Macau. The concept of nostalgia also serves as a theoretical framework to understand how graffiti can evoke memories and create an emotional connection to the past. By investigating hotspots like Largo do Estaleiro, Rua de S. Tiago da Barra, and the vicinity surrounding Ruins of St. Paul’s through interviews with residents and an examination of distribution patterns, we aim to comprehend how these graffiti sites can establish a link to history and contribute to a shared memory and sense of locality. The findings of this research have important implications for urban planning and cultural policy in Macau, as they highlight the significance of incorporating graffiti as a legitimate form of public art that can contribute to the cultural identity and sense of nostalgia in urban spaces.

Suggested Citation

  • Wen Li & Peng Liu, 2023. "Evoking Nostalgia: Graffiti as Medium in Urban Space," SAGE Open, , vol. 13(4), pages 21582440231, December.
    • Handle: RePEc:sae:sagope:v:13:y:2023:i:4:p:21582440231216600
    DOI: 10.1177/21582440231216600
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    References listed on IDEAS

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    1. T.C. Chang, 2019. "Writing on the Wall: Street Art in Graffiti‐free Singapore," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 43(6), pages 1046-1063, November.
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    Cited by:

    1. Meng Li & Tiehong Wu & Linsheng Zhong & Chengcai Tang & Jingwen Wang & Ruhan Yi, 2024. "The Cognitive Mechanisms of Residents under the Background of the Renewal of Suburban Historical and Cultural Villages," Land, MDPI, vol. 13(9), pages 1-22, September.

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