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Topology Analysis of Social Networks Extracted from Literature

Author

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  • Michaël C Waumans
  • Thibaut Nicodème
  • Hugues Bersini

Abstract

In a world where complex networks are an increasingly important part of science, it is interesting to question how the new reading of social realities they provide applies to our cultural background and in particular, popular culture. Are authors of successful novels able to reproduce social networks faithful to the ones found in reality? Is there any common trend connecting an author’s oeuvre, or a genre of fiction? Such an analysis could provide new insight on how we, as a culture, perceive human interactions and consume media. The purpose of the work presented in this paper is to define the signature of a novel’s story based on the topological analysis of its social network of characters. For this purpose, an automated tool was built that analyses the dialogs in novels, identifies characters and computes their relationships in a time-dependent manner in order to assess the network’s evolution over the course of the story.

Suggested Citation

  • Michaël C Waumans & Thibaut Nicodème & Hugues Bersini, 2015. "Topology Analysis of Social Networks Extracted from Literature," PLOS ONE, Public Library of Science, vol. 10(6), pages 1-30, June.
    • Handle: RePEc:plo:pone00:0126470
    DOI: 10.1371/journal.pone.0126470
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    Cited by:

    1. Laurent Gauthier, 2024. "Digital Humanities, Complexity Sciences and the Modeling of Ancient Greek Culture," Working Papers hal-03315002, HAL.
    2. Laurent Gauthier, 2022. "Sophocles's Play: Greek Theater and Psychological Game Theory," Working Papers hal-03754913, HAL.
    3. Gromov, Vasilii A. & Dang, Quynh Nhu, 2023. "Semantic and sentiment trajectories of literary masterpieces," Chaos, Solitons & Fractals, Elsevier, vol. 175(P1).
    4. Semi Min & Juyong Park, 2019. "Modeling narrative structure and dynamics with networks, sentiment analysis, and topic modeling," PLOS ONE, Public Library of Science, vol. 14(12), pages 1-20, December.

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