IDEAS home Printed from https://ideas.repec.org/a/oup/cjrecs/v6y2012i1p93-111.html
   My bibliography  Save this article

The artistic precariat

Author

Listed:
  • Alison Bain
  • Heather McLean

Abstract

This article examines how some artists have collectively negotiated precarity in Toronto’s cultural sector during the last 2 decades through two arts experiments: the Waterfront Trail Artists’ Association and Don Blanche. The social scientific scholarly literature on arts funding, precarious employment and community economies provides an entry point for our critique of the creative class theory for its neglect of grassroots struggles to produce and fund spaces of collective artistic experimentation. We argue, that local, non-capitalist and collectivist spaces, where artists can share resources, collaborate and build an alternative community cultural economy, are essential for sustaining the cultural sector because they assist individual creatives to performatively resist neo-liberal tendencies naturalized in the creative city script. Copyright 2012, Oxford University Press.

Suggested Citation

  • Alison Bain & Heather McLean, 2012. "The artistic precariat," Cambridge Journal of Regions, Economy and Society, Cambridge Political Economy Society, vol. 6(1), pages 93-111.
    • Handle: RePEc:oup:cjrecs:v:6:y:2012:i:1:p:93-111
    as

    Download full text from publisher

    File URL: http://hdl.handle.net/10.1093/cjres/rss020
    Download Restriction: Access to full text is restricted to subscribers.
    ---><---

    As the access to this document is restricted, you may want to search for a different version of it.

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Heather McLean, 2018. "Regulating and resisting queer creativity: Community-engaged arts practice in the neoliberal city," Urban Studies, Urban Studies Journal Limited, vol. 55(16), pages 3563-3578, December.
    2. Heather E. McLean, 2014. "Cracks in the Creative City: The Contradictions of Community Arts Practice," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(6), pages 2156-2173, November.

    More about this item

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:oup:cjrecs:v:6:y:2012:i:1:p:93-111. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    We have no bibliographic references for this item. You can help adding them by using this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Oxford University Press (email available below). General contact details of provider: https://academic.oup.com/cjres .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.