IDEAS home Printed from https://ideas.repec.org/a/ora/journl/v1y2016i1p402-409.html
   My bibliography  Save this article

Cultural And Creative Industries

Author

Listed:
  • Diana Cristina Sava

    (University of Oradea, Faculty of Economic Sciences)

Abstract

The creative economy has appeared as a new trend in the current economic reality, where information, knowledge and original creations as products of individual or work are represented as driving forces in the economic development. The main advantage brought up by the creative economy is its inexhaustible raw materials, the human capital with his creative mind. Nowadays, a company’s tangible assets or power of influence are no longer its most valuable possessions; there is something more valuable, more precisely, the intellectual capital, its human resources operating by their own will and leaving the company at the end of each working day. Any organisation, but mostly those conducting artistic or knowledge based activities must prove the ability to attract, retain and motivate valuable employees in order to exploit their arsenal and their ideas to be transformed into goods or services. Considering all the advantages of the new economic sector, a limit of the creative economy is the subjective way of assessing the created products and services’ value, the degree of satisfaction experienced by consuming such products being influenced largely by psychological factors. Creative economy presents itself as a novelty in the scientific economic field with its own terminology; thus referring to this economic sector it is required to address what is particular for it, such as: knowledge, creativity, creative industries, cultural industries, creative class, etc. This paper is a theoretical approach and it aims to present some of the specific concepts of the creative economy, more exactly the cultural industries and the creative industries. Also in order to achieve a better understanding and distinction I will present several classifications known in the literature of internationally recognised organisations such as UNESCO, UNCTAD, World Intellectual Property Organization, and others as well. Besides reviewing these approaches, the paper will show the author's own vision on the mentioned concepts.

Suggested Citation

  • Diana Cristina Sava, 2016. "Cultural And Creative Industries," Annals of Faculty of Economics, University of Oradea, Faculty of Economics, vol. 1(1), pages 402-409, July.
  • Handle: RePEc:ora:journl:v:1:y:2016:i:1:p:402-409
    as

    Download full text from publisher

    File URL: http://anale.steconomiceuoradea.ro/volume/2016/n1/40.pdf
    Download Restriction: no
    ---><---

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Constance Horne & Vincent Dutot & Sylvaine Castellano & Marco Sosa & Lina Ahmad, 2021. "Integrating Entrepreneurship into the Design Classroom: Case Studies from the Developing World," Journal of the Knowledge Economy, Springer;Portland International Center for Management of Engineering and Technology (PICMET), vol. 12(1), pages 56-72, March.

    More about this item

    Keywords

    creative economy; creative industries; cultural industries; classification;
    All these keywords.

    JEL classification:

    • A10 - General Economics and Teaching - - General Economics - - - General
    • L16 - Industrial Organization - - Market Structure, Firm Strategy, and Market Performance - - - Industrial Organization and Macroeconomics; Macroeconomic Industrial Structure
    • O14 - Economic Development, Innovation, Technological Change, and Growth - - Economic Development - - - Industrialization; Manufacturing and Service Industries; Choice of Technology
    • Z10 - Other Special Topics - - Cultural Economics - - - General

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:ora:journl:v:1:y:2016:i:1:p:402-409. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    We have no bibliographic references for this item. You can help adding them by using this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Catalin ZMOLE (email available below). General contact details of provider: https://edirc.repec.org/data/feoraro.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.