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A Method for Development of Ecomuseums in Taiwan

Author

Listed:
  • Zhen-Hui Liu

    (Department of Geography, National Taiwan University, No. 1, Section 4, Roosevelt Road, Da'an District, Taipei 10617, Taiwan)

  • Yung-Jaan Lee

    (Chung-Hua Institution for Economic Research, No. 75, Chang-Hsing Street, Da'an District, Taipei 10672, Taiwan)

Abstract

One component of the new museology is the ecomuseum, which is intended to preserve cultural/natural heritage and the local landscape in situ , and involves community participation and needs associated with community development. Since the ecomuseum concept originated in Western Europe, ecomuseums must be adapted or localized to various socio-economic environments. In the 2000s, two mining ecomuseums were established in New Taipei City—the Gold Museum and the Houtong Coal Mine Ecological Park. In the early 2010s, two more ecomuseums were established—the Daxi Wood Art Ecomuseum and the Togo Art Museum. More than the mining ecomuseums, the Daxi Wood Art Ecomuseum emphasized community participation and the vision of the Togo Art Museum was led by the community. Based on an analysis of the Houtong Coal Mine Ecological Park, the Daxi Wood Art Ecomuseum and the Togo Art Museum, this study elucidates the various mechanisms of the development of ecomuseums in Taiwan. Ecomuseums should be interconnected with the community and the environment. The three major functions of ecomuseums (community participation, local development, and in-situ preservation) can promote sustainable development. This study uses the “creativity triangle” concept with a three-year cycle of development as an analytical tool. The concept was modified to include three stages of development, which are “estimation”, “preparation”, and “operation”; six steps and 11 tasks are proposed. Despite the unique circumstances of each ecomuseum, this study provides an overview of the development processes and provides a basis for making recommendations for establishing other ecomuseums in Taiwan.

Suggested Citation

  • Zhen-Hui Liu & Yung-Jaan Lee, 2015. "A Method for Development of Ecomuseums in Taiwan," Sustainability, MDPI, vol. 7(10), pages 1-21, September.
    • Handle: RePEc:gam:jsusta:v:7:y:2015:i:10:p:13249-13269:d:56440
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    Citations

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    Cited by:

    1. Shu-Hsien Chang & R. J. Hernández-Díaz & Wei-Shuo Lo, 2020. "The Impact of Low-Carbon Service Operations on Responsible Tourist Behavior: The Psychological Processes of Sustainable Cultural Tourism," Sustainability, MDPI, vol. 12(12), pages 1-20, June.
    2. Francesca Simeoni & Veronica De Crescenzo, 2018. "Ecomuseums (on Clean Energy), Cycle Tourism and Civic Crowdfunding: A New Match for Sustainability?," Sustainability, MDPI, vol. 10(3), pages 1-16, March.
    3. Jirawan Sirivanichkul & Koompong Noobanjong & Supornchai Saengratwatchara & Weeranan Damrongsakul & Chaturong Louhapensang, 2018. "Interpretation of a Local Museum in Thailand," Sustainability, MDPI, vol. 10(7), pages 1-33, July.
    4. Adil Saeed & Zulfiqar A. Khan & Main H. Nazir, 2015. "An Optimised Approach of Protecting and Sustaining Large Vehicle System," Sustainability, MDPI, vol. 7(12), pages 1-14, December.
    5. Mara Cerquetti & Concetta Ferrara, 2018. "Marketing Research for Cultural Heritage Conservation and Sustainability: Lessons from the Field," Sustainability, MDPI, vol. 10(3), pages 1-16, March.
    6. Hung-Wei Chen & Fu-Ren Lin, 2018. "Evolving Obligatory Passage Points to Sustain Service Systems: The Case of Traditional Market Revitalization in Hsinchu City, Taiwan," Sustainability, MDPI, vol. 10(7), pages 1-25, July.
    7. Giusy Pappalardo, 2020. "Community-Based Processes for Revitalizing Heritage: Questioning Justice in the Experimental Practice of Ecomuseums," Sustainability, MDPI, vol. 12(21), pages 1-18, November.

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