Author
Listed:
- Anahí N. Herrera Cano
(INMIBO-CONICET, Buenos Aires C1428EGA, Argentina
Grupo de Etnobiología, Departamento de Biodiversidad y Biología Experimental, Facultad de Ciencias Exactas y Naturales, Universidad de Buenos Aires, Buenos Aires C1428EGA, Argentina)
- Clara A. Tomasini
(CONICET, Buenos Aires C1033AAJ, Argentina
Centro de Investigación en Arte, Materia y Cultura (Centro MATERIA-IIAC), Universidad Nacional de Tres de Febrero, Buenos Aires C1104ACA, Argentina)
- Milagros Córdova
(Centro de Investigación en Arte, Materia y Cultura (Centro MATERIA-IIAC), Universidad Nacional de Tres de Febrero, Buenos Aires C1104ACA, Argentina
Instituto Nacional de Tecnología Industrial, San Martín, Buenos Aires B1650WAB, Argentina)
- Ana Laura García
(Instituto Nacional de Tecnología Industrial, San Martín, Buenos Aires B1650WAB, Argentina)
- Melina Bernasconi
(Centro de Investigación en Arte, Materia y Cultura (Centro MATERIA-IIAC), Universidad Nacional de Tres de Febrero, Buenos Aires C1104ACA, Argentina)
- Lucila Iglesias
(Centro de Investigación en Arte, Materia y Cultura (Centro MATERIA-IIAC), Universidad Nacional de Tres de Febrero, Buenos Aires C1104ACA, Argentina)
- Gabriela Siracusano
(CONICET, Buenos Aires C1033AAJ, Argentina
Centro de Investigación en Arte, Materia y Cultura (Centro MATERIA-IIAC), Universidad Nacional de Tres de Febrero, Buenos Aires C1104ACA, Argentina)
- Eugenia Tomasini
(CONICET, Buenos Aires C1033AAJ, Argentina
Centro de Investigación en Arte, Materia y Cultura (Centro MATERIA-IIAC), Universidad Nacional de Tres de Febrero, Buenos Aires C1104ACA, Argentina)
Abstract
This work provides a synthesis of an initial experience in the development of accessible imaging techniques and their implementation on a real case: the analysis of colonial Hispano-American paintings at the Complejo Museográfico Provincial “Enrique Udaondo” (Luján, Buenos Aires). It discusses different aspects related to the possibilities of obtaining, using, and reusing equipment and materials locally, as well as details of the ways of acquiring images for photography on site. It also provides information about the composition and conservation state of selected artworks, complementing image analysis with portable X-ray fluorescence (XRF) data, and reflects on articulated/collaborative work in situ as a methodology for transferring knowledge and skills. The project aims to contribute to strengthening Latin American sustainability by creating accessible non-invasive tools for heritage conservation institutions, highlighting the value of regional capacities to approach heritage studies from collaborative and ethical proposals that promote sovereignty and reduce dependence on external inputs.
Suggested Citation
Anahí N. Herrera Cano & Clara A. Tomasini & Milagros Córdova & Ana Laura García & Melina Bernasconi & Lucila Iglesias & Gabriela Siracusano & Eugenia Tomasini, 2025.
"Accessible Non-Invasive Techniques for Museums: Extending Sustainability to Resource-Limited Institutions,"
Sustainability, MDPI, vol. 17(3), pages 1-18, February.
Handle:
RePEc:gam:jsusta:v:17:y:2025:i:3:p:1208-:d:1582456
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