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Silk Road Museums: Design of Inclusive Heritage and Cross-Cultural Education

Author

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  • Ricard Huerta

    (Institute of Creativity and Educational Innovation, University of Valencia, E46022 València, Spain)

Abstract

This work is the result of a study on the characteristics that define some of the museums created on the Silk Road. The approach to these museums has focused especially on the observation of the educational and heritage aspects that define these institutions. Since 1988, numerous actions related to the Silk Road have been promoted by UNESCO. This old trade route has now become a route of dialogue between cultures. Each museum studied is characterized by promoting local and national issues that define it. Educational issues stand out, since the tradition of silk production is very important in each place. Another aspect observed is that heritage issues manage to strengthen the characteristic features of each community. I have interviewed those responsible and personally observed their facilities and collections. Each museum has chosen to highlight local differential factors, enhancing the aesthetic arguments of cultural identity. Finally, I examine the specific case of the Valencia Silk Museum, the most recent creation museum but also the oldest institution. In the conclusions, I highlight the importance of education in most of these institutions.

Suggested Citation

  • Ricard Huerta, 2021. "Silk Road Museums: Design of Inclusive Heritage and Cross-Cultural Education," Sustainability, MDPI, vol. 13(11), pages 1-17, May.
  • Handle: RePEc:gam:jsusta:v:13:y:2021:i:11:p:6020-:d:563218
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    Cited by:

    1. Stefano Della Torre & Mehrnaz Rajabi, 2022. "The Restoration of St. James’s Church in Como and the Cathedral Museum as Agents for Sustainable Urban Planning Strategies," Land, MDPI, vol. 11(3), pages 1-15, March.

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