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From Historical Silk Fabrics to Their Interactive Virtual Representation and 3D Printing

Author

Listed:
  • Manolo Pérez

    (Institute of Robotics and Information and Communication Technologies (IRTIC), Universitat de València, 46980 Paterna, Spain)

  • Pablo Casanova-Salas

    (Institute of Robotics and Information and Communication Technologies (IRTIC), Universitat de València, 46980 Paterna, Spain)

  • Pawel Twardo

    (MonkeyFab, 04-896 Warsaw, Poland)

  • Piotr Twardo

    (MonkeyFab, 04-896 Warsaw, Poland)

  • Arabella León

    (Garín 1820 S.A., 46113 Valencia, Spain)

  • Dunja Mladenic

    (Jožef Stefan Institute, 1000 Ljubljana, Slovenia)

  • Besher M. Massri

    (Jožef Stefan Institute, 1000 Ljubljana, Slovenia)

  • Raphaël Troncy

    (EURECOM, Campus SophiaTech, 06904 Antipolis, France)

  • Thibault Ehrhart

    (EURECOM, Campus SophiaTech, 06904 Antipolis, France)

  • Georgia Lo Cicero

    (Department of Culture e Società, Università degli Studi di Palermo, 90133 Palermo, Italy)

  • Maurizio Vitella

    (Department of Culture e Società, Università degli Studi di Palermo, 90133 Palermo, Italy)

  • Mar Gaitán

    (Department of Art History, Universitat de València, 46010 Valencia, Spain)

  • Jesús Gimeno

    (Institute of Robotics and Information and Communication Technologies (IRTIC), Universitat de València, 46980 Paterna, Spain)

  • Elena Ribes

    (Garín 1820 S.A., 46113 Valencia, Spain)

  • Marcos Fernández

    (Institute of Robotics and Information and Communication Technologies (IRTIC), Universitat de València, 46980 Paterna, Spain)

  • Cristina Portalés

    (Institute of Robotics and Information and Communication Technologies (IRTIC), Universitat de València, 46980 Paterna, Spain)

Abstract

The documentation, dissemination, and enhancement of Cultural Heritage is of great relevance. To that end, technological tools and interactive solutions (e.g., 3D models) have become increasingly popular. Historical silk fabrics are nearly flat objects, very fragile and with complex internal geometries, related to different weaving techniques and types of yarns. These characteristics make it difficult to properly document them, at the yarn level, with current technologies. In this paper, we bring a new methodology to virtually represent such heritage and produce 3D printouts, also making it highly interactive through the tool Virtual Loom. Our work involves sustainability from different perspectives: (1) The traditional production of silk fabrics respects the environment; (2) Virtual Loom allows the studying of silk heritage while avoiding their degradation; (3) Virtual Loom allows creative industries to save money and materials; (4) current research on bioplastics for 3D printing contributes to environmental sustainability; (5) edutainment and gaming can also benefit from Virtual Loom, avoiding the need to acquire the original objects and enhancing creativity. The presented work has been carried out within the scope of the SILKNOW project to show some results and discuss the sustainability issues, from the production of traditional silk fabrics, to their dissemination by means of Virtual Loom and 3D printed shapes.

Suggested Citation

  • Manolo Pérez & Pablo Casanova-Salas & Pawel Twardo & Piotr Twardo & Arabella León & Dunja Mladenic & Besher M. Massri & Raphaël Troncy & Thibault Ehrhart & Georgia Lo Cicero & Maurizio Vitella & Mar G, 2020. "From Historical Silk Fabrics to Their Interactive Virtual Representation and 3D Printing," Sustainability, MDPI, vol. 12(18), pages 1-22, September.
  • Handle: RePEc:gam:jsusta:v:12:y:2020:i:18:p:7539-:d:412815
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    Citations

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    Cited by:

    1. Andreja Rudolf & Barbara Pučko & Maja Hren Brvar & Katarina Remic, 2024. "Using Digital Technology for the Sustainable Preservation of Clothing Heritage: A Virtual Reconstruction of the 1848/49 Uniform," Sustainability, MDPI, vol. 16(17), pages 1-26, September.

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