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Promoting the Sustainability of City Communities through ‘Voluntary Arts Activities’ at Regenerated Cultural Arts Spaces: A Focus on the Combination of the ‘Democratization of Culture’ and ‘Cultural Democracy’ Perspectives

Author

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  • Yura Lim

    (Department of Global Culture and Contents, Hankuk University of Foreign Studies, 107 Imun-ro, Dongdaemun-gu, Seoul 02450, Korea)

  • Dong-uk Im

    (Department of Global Culture and Contents, Hankuk University of Foreign Studies, 107 Imun-ro, Dongdaemun-gu, Seoul 02450, Korea)

  • Jongoh Lee

    (Department of Global Culture and Contents, Hankuk University of Foreign Studies, 107 Imun-ro, Dongdaemun-gu, Seoul 02450, Korea)

Abstract

Abandoned industrial facilities have become a nuisance in cities because the needs of society members are continuously changing. Idle industrial facilities might be considered to be merely abandoned and empty spaces, but they are in reality historic sites that illustrate the period of industrialization in the region. They are valuable because they serve to accumulate memories from the past. Recently, with the need for urban regeneration, there have been various discussions on converting the abandoned industrial facilities into cultural art spaces. They are intended to promote the sustainability of communities and cities by vitalizing the area. Considering the social dimensions of urban regeneration, it is necessary to render such a creative space as a ‘Third Place’ to promote the city’s sustainability. Converted industrial facilities, through the medium of ‘Voluntary Arts Activities,’ have many elements that are suitable for the needs of a creative space, and even for a ‘Third Place’. As opposed to the private sector, it is seen that when the public sector regenerates these facilities, they approach this issue in order to lower the cultural arts barrier. The public sector, which is a government-centered first sector, conducts regeneration projects based on the ‘Democratization of Culture’ perspective. However, in order to promote participation in the third sector, which is a community-based, non-profit sector that actually uses the space, it is important to approach the issue from the ‘Cultural Democracy’ perspective. Focusing on this aspect, this study aims to examine cases of public sector-led converted cultural arts spaces by ‘Voluntary Arts Activities’ in France and South Korea, namely ‘Le Centquatre-Paris,’ the ‘Oil Tank Culture Park,’ and the ‘West Seoul Arts Center for Learning’. This will allow us to contemplate the possibility of sustainable spaces, individuals, communities and cities.

Suggested Citation

  • Yura Lim & Dong-uk Im & Jongoh Lee, 2019. "Promoting the Sustainability of City Communities through ‘Voluntary Arts Activities’ at Regenerated Cultural Arts Spaces: A Focus on the Combination of the ‘Democratization of Culture’ and ‘Cultural D," Sustainability, MDPI, vol. 11(16), pages 1-14, August.
  • Handle: RePEc:gam:jsusta:v:11:y:2019:i:16:p:4400-:d:257515
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    Citations

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    Cited by:

    1. Teen-Hang Meen & Yusuke Matsumoto & Ming-Shyan Wang, 2020. "Selected Papers From 2019 IEEE Eurasia Conference on Biomedical Engineering, Healthcare and Sustainability (IEEE ECBIOS 2019)," Sustainability, MDPI, vol. 12(1), pages 1-5, January.
    2. Siya Cheng & Ziling Huang & Haochen Pan & Shuaiqing Wang & Xiaoyu Ge, 2022. "Comparative Study of Park Evaluation Based on Text Analysis of Social Media: A Case Study of 50 Popular Parks in Beijing," Sustainability, MDPI, vol. 14(19), pages 1-34, October.
    3. Bin Xu & Qingxia Shi & Yaping Zhang, 2022. "Evaluation of the Health Promotion Capabilities of Greenway Trails: A Case Study in Hangzhou, China," Land, MDPI, vol. 11(4), pages 1-21, April.
    4. Maria Rita Pinto & Serena Viola & Anna Onesti & Francesca Ciampa, 2020. "Artists Residencies, Challenges and Opportunities for Communities’ Empowerment and Heritage Regeneration," Sustainability, MDPI, vol. 12(22), pages 1-20, November.

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