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China: El vacío y la plenitud

Author

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  • Héctor Gómez Pinos

Abstract

Comentario-reseña sobre un fragmento de la obra sobre arte chino Vacío y Plenitud aparecido en una revista del año 93. Tras situar al autor se introducen y analizan, a través de lo expuesto en la obra, los principios básicos de la pintura china (“diálogo” entre los elementos presentes, perspectiva, tinta, papel de la naturaleza, etc...), con especial atención para el “vacío” tan característico en la pintura de paisajes, y su relación tanto con otras artes, caso de la caligrafía o la poesía, como con la filosofía y la cosmovisión china a través de una compleja serie de relaciones que ha marcado el desarrollo histórico del arte chino.

Suggested Citation

  • Héctor Gómez Pinos, 2010. "China: El vacío y la plenitud," Observatorio de la Economía y la Sociedad China, Servicios Académicos Intercontinentales SL, issue 14, december.
    • Handle: RePEc:erv:obschi:y:2010:14:1
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    Keywords

    China; vacio; plenitud;
    All these keywords.

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