Co-evolution between streaming and live music leads a way to the sustainable growth of music industry – Lessons from the US experiences
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DOI: 10.1016/j.techsoc.2017.03.005
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- Watanabe, Chihiro & Naveed, Kashif & Neittaanmäki, Pekka, 2017. "ICT-driven disruptive innovation nurtures un-captured GDP – Harnessing women's potential as untapped resources," Technology in Society, Elsevier, vol. 51(C), pages 81-101.
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- Tou, Yuji & Watanabe, Chihiro & Moriya, Kuniko & Neittaanmäki, Pekka, 2019. "Harnessing soft innovation resources leads to neo open innovation," Technology in Society, Elsevier, vol. 58(C).
- Hahm, Joon Beom & Byon, Kevin K. & Hyun, Yeon Ah & Hahm, Jeongbeom, 2022. "The show must go on: The mediating role of self-assessment in the relationship between performers’ technology acceptance and satisfaction level with remote performances in Korea during the COVID-19 pa," Technology in Society, Elsevier, vol. 68(C).
- Yu Yi & Hu Yimei & Qiao Han & Wang Shouyang, 2018. "Co-evolution: A New Perspective for Business Model Innovation," Journal of Systems Science and Information, De Gruyter, vol. 6(5), pages 385-398, October.
- Johannes Glückler & Robert Panitz, 2023. "Live Music in the Time of Corona: On the Resilience and Impact of a Philharmonic Orchestra on the Urban Economy," Sustainability, MDPI, vol. 15(4), pages 1-14, February.
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Keywords
Music industry; Live music; Live-concert-streaming music industry; Co-evolution; Trust-based IDBM with CCSD; Cultural industries;All these keywords.
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