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Visuality, palm trees and tourism in Uruguay

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  • Dabezies, Juan Martin

Abstract

Uruguay is a country whose national identity has been created in the image of European modernity. The search for a national imaginary has exalted symbolic attributes of rectitude and (European) homogeneity. A crisis of national identity and the global fracture of modernity broke this model. As part of this process, beach tourism emerged based on the ideal of a paradise which promotes the use of native palms as an important element of the physical and symbolic landscape. This paper analyses the relations between postcolonialism, tourism, modernity, identity and palm trees in Uruguay. It argues that the growing trend of beach tourism is part of a process that articulates tropical and traditional arguments, promoting undulated, local features over rectilinear, global ones.

Suggested Citation

  • Dabezies, Juan Martin, 2020. "Visuality, palm trees and tourism in Uruguay," Annals of Tourism Research, Elsevier, vol. 81(C).
    • Handle: RePEc:eee:anture:v:81:y:2020:i:c:s0160738320300268
    DOI: 10.1016/j.annals.2020.102882
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    References listed on IDEAS

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    1. Chambers, Donna & Buzinde, Christine, 2015. "Tourism and decolonisation: Locating research and self," Annals of Tourism Research, Elsevier, vol. 51(C), pages 1-16.
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    Cited by:

    1. Cho, Hyo Dan, 2021. "Hybridity between the ‘Self’ and the ‘Other’: Visiting Gyeongju through the prism of colonial imaginary," Annals of Tourism Research, Elsevier, vol. 89(C).
    2. Ulrika Persson-Fischer & Shuangqi Liu, 2021. "What Is Interdisciplinarity in the Study of Sustainable Destination Development?," Sustainability, MDPI, vol. 13(7), pages 1-28, March.

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