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Nizami Ganjev'S Poet World'S Preparation In Training Azerbaijan Music Art

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  • Sevda GURBANALÄ°YEVA

    (Gence Devlet Ãœniversitesi)

Abstract

The works of the great Azerbaijani poet and thinker Nizami Ganjavi are embodied in the musical culture of the Orient, the rich musical life of all Azerbaijan, including the ancient poet Ganja, where he lived and lived. One of the exceptional services of Sheikh Nizami, the great Azerbaijani poet and thinker, who embodied the 12th- century renaissance and the music culture of that time, is the creation of the tradition of providing music in our classical poetry. A separate musical work by Nizami Ganjavi is not yet known. However, music covers all the poetry languages of his works. Music is one of the most popular leitmotivs. The miniature of the poet's works also gives a great place to the recipe of musical instruments and musical feasts. Nizami's music connection is heard in every detail. As a result of the research, we can safely say that in Nizami's "Khamsa" each poem has its own world of music and sound. In Nizami's poems, we find pages devoted to music as a whole, but the elegant twist of the text is given more. Nizami Ganjavi's poems "Treasure of Secrets", "Khosrov and Åžirin", "Leyli and Mecnun", "Seven Beauties", "Ä°skendername", vocal and instrumental music, palace and folk music, military and lyrical music, dance music, music Aesthetic and theoretical problems of professional music based on instruments and music performers, oral tradition, mugam, classification and more, such topics are poetically interpreted. Although we cannot hear the music of the 12th century, information about the music culture of that time provides us with a basis for thinking about music culture as a whole.

Suggested Citation

  • Sevda GURBANALÄ°YEVA, 2020. "Nizami Ganjev'S Poet World'S Preparation In Training Azerbaijan Music Art," Eurasian Academy Of Sciences Social Sciences Journal, Eurasian Academy Of Sciences, vol. 33(33), pages 10-17, March.
  • Handle: RePEc:eas:journl:v:33:y:2020:i:33:p:10-17
    DOI: 10.17740/eas.soc.2020.V33-03
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