Destruction of a Sacrosanct Past: Iconoclasm and Norse Revival in Post-war Norway

Central to this reflection upon the interconnectedness between the destruction of a monument in Norway after the Second World War and iconoclasm will be work by Swiss art historian Dario Gamboni who, in The Destruction of Art (1997), argues that any understanding of modern and contemporary iconoclasm must be contextualized via the redefinition of art and its actual autonomy. In so doing, this article will open a twofold reflection concerning iconoclasm as an act of destruction, while also reflecting as to whether or not the very term ‘iconoclasm’ is perhaps best understood by what Dutch scholar Mieke Bal (2002) has called a ‘travelling concept’. The latter will hopefully allow for a consideration of iconoclasm through interdisciplinary cultural analysis, and, as such, enrich our understanding of the term and its practices in both historical and contemporary perspectives.