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Autopsie d’une tentative de résistance aux « majors ». Le cas de l’autoproduction musicale « punk » en France

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  • Raphaël Cuffolo
  • Joël Brée

Abstract

The music industry is characterized today by an oligopolistic concentration of majors. Along the 90?s, in order to face a fragmented market disrupted by technological innovation, the record companies, historically considered as intermediaries, merged into huge conglomerates. Those new entities were considered by some audiences such as consumers and artists as threatening the diversity and genuineness of rock music. In the paper, we detail and explain how some artists tried to resist to this strategic concentration. By a claiming a radical shift in the mediation between artists and intermediaries, in particular through self-production, the punk music scene appeared to initiate a new and unconventional form of resistance.

Suggested Citation

  • Raphaël Cuffolo & Joël Brée, 2021. "Autopsie d’une tentative de résistance aux « majors ». Le cas de l’autoproduction musicale « punk » en France," Revue française de gestion, Lavoisier, vol. 0(1), pages 157-171.
    • Handle: RePEc:cai:rfglav:rfg_294_0155
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