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From realism to surrealism: investing in Belgian art

Author

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  • Luc Renneboog
  • Tom Van Houtte

Abstract

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Suggested Citation

  • Luc Renneboog & Tom Van Houtte, 2000. "From realism to surrealism: investing in Belgian art," Brussels Economic Review, ULB -- Universite Libre de Bruxelles, vol. 165, pages 69-106.
  • Handle: RePEc:bxr:bxrceb:2013/13119
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    File URL: https://dipot.ulb.ac.be/dspace/bitstream/2013/13119/1/ber-1036.pdf
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    Cited by:

    1. Roman Kräussl, 2014. "Art as an Aternative Asset Class: Risk and Return Characteristics of the Middle Eastern & Northern African Art Markets," LSF Research Working Paper Series 14-10, Luxembourg School of Finance, University of Luxembourg.
    2. Váradi, Kata & Teszárik, Eszter, 2020. "A magyar festménypiac pénzügyi szemmel [The Hungarian market for paintings, from a financial point of view]," Közgazdasági Szemle (Economic Review - monthly of the Hungarian Academy of Sciences), Közgazdasági Szemle Alapítvány (Economic Review Foundation), vol. 0(12), pages 1271-1298.
    3. Finn R. Førsund & Roberto Zanola, 2001. "Selling Picasso paintings: the efficiency of auction houses," ICER Working Papers 07-2001, ICER - International Centre for Economic Research.
    4. Andrew C. Worthington & Helen Higgs, 2003. "Risk, return and portfolio diversification in major painting markets: The application of conventional financial analysis to unconventional investments," School of Economics and Finance Discussion Papers and Working Papers Series 148, School of Economics and Finance, Queensland University of Technology.
    5. Victor Ginsburgh & Henry Bounameaux, 2008. "The Belgian Art Market," ULB Institutional Repository 2013/152108, ULB -- Universite Libre de Bruxelles.

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