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A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production

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  • Brian J. Hracs

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  • Brian J. Hracs, 2012. "A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production," Growth and Change, Wiley Blackwell, vol. 43(3), pages 442-461, September.
    • Handle: RePEc:bla:growch:v:43:y:2012:i:3:p:442-461
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    Citations

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    Cited by:

    1. Robin Steedman & Taylor Brydges, 2023. "Hustling in the creative industries: Narratives and work practices of female filmmakers and fashion designers," Gender, Work and Organization, Wiley Blackwell, vol. 30(3), pages 793-809, May.
    2. Rémy Guichardaz & Laurent Bach & Julien Penin, 2019. "Music industry intermediation in the digital era and the resilience of the Majors’ oligopoly: the role of transactional capability," Industry and Innovation, Taylor & Francis Journals, vol. 26(7), pages 843-869, August.
    3. Amitrajeet A. Batabyal & Peter Nijkamp, 2016. "Digital technologies, knowledge spillovers, innovation policies, and economic growth in a creative region," Economics of Innovation and New Technology, Taylor & Francis Journals, vol. 25(5), pages 470-484, July.
    4. Dina Dellyana & Nina Arina & Tribowo Rachmat Fauzan, 2023. "Digital Innovative Governance of the Indonesian Creative Economy: A Governmental Perspective," Sustainability, MDPI, vol. 15(23), pages 1-14, November.
    5. Brian J Hracs & Doreen Jakob & Atle Hauge, 2013. "Standing out in the Crowd: The Rise of Exclusivity-Based Strategies to Compete in the Contemporary Marketplace for Music and Fashion," Environment and Planning A, , vol. 45(5), pages 1144-1161, May.
    6. Natalia Samutina, 2014. "Plastic Beach Utopia: Gorillaz’ Multimedia Concept Project In The Context Of Contemporary Popular Music Culture," HSE Working papers WP BRP 71/HUM/2014, National Research University Higher School of Economics.
    7. Boons, Frank & Bocken, Nancy, 2018. "Towards a sharing economy – Innovating ecologies of business models," Technological Forecasting and Social Change, Elsevier, vol. 137(C), pages 40-52.
    8. Rémy Guichardaz & Laurent Bach & Julien Penin, 2016. "Music industry intermediation in the digital era and the resilience of the majors’ oligopoly: The role of transactional capabilities," Working Papers of BETA 2016-47, Bureau d'Economie Théorique et Appliquée, UDS, Strasbourg.
    9. Messick, Kyle J., 2020. "Metal for the masses: how indie metal labels have adapted for the digital era," OSF Preprints a758b, Center for Open Science.
    10. Xu Chen & Chunhong Liu & Yao Jiang & Changchun Gao, 2021. "What Causes the Virtual Agglomeration of Creative Industries?," Sustainability, MDPI, vol. 13(16), pages 1-18, August.
    11. Arthur Price, 2016. "Leveraging Technology to Bridge the Gap between Independent Artists and Reaching the Right Consumer," Journal of Entrepreneurship and Innovation in Emerging Economies, Entrepreneurship Development Institute of India, vol. 2(2), pages 136-160, July.
    12. Øiestad, Sara & Bugge, Markus M., 2014. "Digitisation of publishing: Exploration based on existing business models," Technological Forecasting and Social Change, Elsevier, vol. 83(C), pages 54-65.
    13. Teemu Makkonen, 2014. "Tales from the Thousand Lakes: Placing the Creative Network of Metal Music in Finland," Environment and Planning A, , vol. 46(7), pages 1586-1600, July.

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