Cultural Commodity Chains, Cultural Clusters, or Cultural Production Chains?
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Abstract
Suggested Citation
DOI: 10.1111/j.1468-2257.2007.00406.x
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Citations
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Cited by:
- Ferdinand, Nicole & Williams, Nigel L., 2013. "International festivals as experience production systems," Tourism Management, Elsevier, vol. 34(C), pages 202-210.
- Oakley, Kate & Laurison, Daniel & O'Brien, Dave & Friedman, Sam, 2017. "Cultural capital: arts graduates, spatial inequality, and London's impact on cultural labour market," LSE Research Online Documents on Economics 84366, London School of Economics and Political Science, LSE Library.
- Alessandra Bianchi & Stefania De Medici, 2023. "A Sustainable Adaptive Reuse Management Model for Disused Railway Cultural Heritage to Boost Local and Regional Competitiveness," Sustainability, MDPI, vol. 15(6), pages 1-34, March.
- Sofia Vilarinho & Henri Christiaans, 2020. "Identity Building Through Mediation by African Tailors," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 44(5), pages 841-856, September.
- Gary A S Cook & Naresh R Pandit & Jonathan V Beaverstock, 2011. "Cultural and Economic Complementarities of Spatial Agglomeration in the British Television Broadcasting Industry: Some Explorations," Environment and Planning A, , vol. 43(12), pages 2918-2933, December.
- Jean-Paul Simon & Pierre-Jean Benghozi & Elisa Salvador, 2015. "The new middlemen of the digital age: the case of cinema," Post-Print hal-02522184, HAL.
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