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Exploring the Classification of Birds in Ceramic Flower-And-Bird Paintings and Aesthetic Value Philosophy

Author

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  • Liu Yuan

    (Faculty of Art Sustainability and creative industry, Sultan Idris education university, Tanjung Malim, Malaysia)

  • Tajul Shuhaizam Bin Said

    (Faculty of Art Sustainability and creative industry, Sultan Idris education university, Tanjung Malim, Malaysia)

  • Harozila Ramli

    (Faculty of Art Sustainability and creative industry, Sultan Idris education university, Tanjung Malim, Malaysia)

Abstract

The porcelain surface designs in Chinese flower-and-bird paintings reflect the deep cultural appreciation for flowers and the natural beauty of birds. Birds are not only depicted as part of nature but also celebrated for their aesthetic and symbolic value. However, there is a significant gap in understanding the classification of the bird motifs in ceramic paintings and their aesthetic value in relation to philosophical variables. This study systematically reviews research papers and electronic books from three major databases: Web of Science, Scopus, and CNKI. Additionally, fieldwork was conducted at the China Ceramic Museum, a ceramic company, and a ceramic exhibition to capture images of bird motifs on porcelain works, providing practical insights and realistic data. By combining literature analysis and field observations, the research examines the classification of bird motifs and flowers in ceramic flower-and-bird paintings, as well as their philosophical and aesthetic significance.

Suggested Citation

  • Liu Yuan & Tajul Shuhaizam Bin Said & Harozila Ramli, 2025. "Exploring the Classification of Birds in Ceramic Flower-And-Bird Paintings and Aesthetic Value Philosophy," International Journal of Research and Innovation in Social Science, International Journal of Research and Innovation in Social Science (IJRISS), vol. 9(3s), pages 128-133, January.
    • Handle: RePEc:bcp:journl:v:9:y:2025:i:3s:p:128-133
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