Exploring the Expression of Deconstructionism in Chinese National Costume Design

In the mid-20th century, the concept of deconstructionism was first proposed in the field of philosophy. Its emergence subverted entrenched notions and cognitions of traditional structures, fostering a novel mode of anti-traditional thinking. Within the realm of fashion, deconstructionism primarily manifests in breaking the taboos of traditional attire, rendering aesthetic standards more diverse. Designers are empowered to transcend conventional design boundaries in both thought and form, thereby crafting works imbued with greater tension and contradiction. With a history spanning 5000 years, China has witnessed the emergence of numerous distinct traditional garments. The imperative task facing every Chinese designer is how to inherit and evolve these historically significant ethnic attires. Contemporary ethnic-style garment design transcends mere clothing production; it constitutes an endeavor concerning the perpetuation and evolution of ethnic attire and sentiment. Deconstruction serves as a method of garment design, yet it is the national sentiment of the Chinese people that embodies the ultimate essence requiring dissemination and expression in design.