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The Theological Integration of Contemporary Praise and Worship Music in Philippine Liturgical Celebrations: an Examination of “Still†and “Goodness of God†and their Use in Catholic Liturgical Celebrations

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  • Vanissa Y. Capacite

    (Holy Cross of Davao College, Davao City)

  • Annaliza Magno

    (Ateneo de Davao University, Davao City)

  • Dinah Suarez Mutia

    (San Agustin Institute of Technology, Valencia City, Bukidnon)

Abstract

This paper explores the theological integration of Contemporary Praise and Worship music within Philippine liturgical celebrations, with a particular focus on the songs “Still†by Hillsong Worship and “Goodness of God†by Bethel Music. By examining these songs’ theological content, lyrical quality, and alignment with the Catholic Church’s criteria for liturgical music, the study highlights how contemporary worship music can enhance communal worship and foster a deeper connection with God. The paper also addresses the challenges of incorporating contemporary music into traditional liturgy, emphasizing the importance of maintaining the integrity and sanctity of the worship service. Through a historical and contextual analysis, this research provides valuable insights for church leaders, musicians, and the faithful in integrating diverse musical genres into Catholic worship.

Suggested Citation

  • Vanissa Y. Capacite & Annaliza Magno & Dinah Suarez Mutia, 2024. "The Theological Integration of Contemporary Praise and Worship Music in Philippine Liturgical Celebrations: an Examination of “Still†and “Goodness of God†and their Use in Catholic Liturgical C," International Journal of Research and Innovation in Social Science, International Journal of Research and Innovation in Social Science (IJRISS), vol. 8(5), pages 2200-2212, May.
    • Handle: RePEc:bcp:journl:v:8:y:2024:i:5:p:2200-2212
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