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Unraveling Traditions of Calabanga in Kami Kadto: The Etmic Stance of Stakeholders

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  • Richard G. Castor

    (Associate Professor III, College of Arts and Sciences, Central Bicol State University of Agriculture – Calabanga)

Abstract

The staging of cultural heritage and traditions has garnered significant attention in recent years, with researchers exploring various dimensions of this practice. Kami Kadto (us before), reflects local traditions in Calabanga which serves as the bedrock of cultural identity, offering a sense of continuity and belonging to community members. Examining these traditions through both emic and etic (etmic) provides a comprehensive understanding of their significance and evolution. This research study, grounded in the theoretical paradigms of constructivism and cultural theory, with a particular focus on the frameworks of ethnography and performance theory aims to (1) discover how dramatic performance can aid students in learning about and appreciating socio-cultural traditions and practices; (2) ascertain how stage play heightens awareness of one’s cultural background and identity; and (3) explore ways in which dramatic theatre might strengthen community and educational settings’ social cohesiveness and encourage a stronger sense of shared values and traditions. Thirty-six (36) stakeholders comprising of 22 students, seven (7) actors and production staff, nine (9) community members and local leaders watched the stage play and participated in the talk-back sessions, discussion, answering online feedback forms and interviews. The findings underscore the significance of integrating traditional art forms into educational programs and community initiatives to preserve cultural heritage while addressing contemporary educational and social needs. Research results affirm that with appropriate support, such as resources, partnerships, and institutional commitment, dramatic theatre can serve as a sustainable tool for social transformation and cultural revitalization. Challenges such as limited funding, audience engagement, and cultural sensitivity require deliberate strategies to ensure theatre’s effectiveness in achieving these goals. Heritage and local traditions when translated as a stage play enliven the preservation, protection and promotion of culture beyond this generation and towards sustainability of creative communities.

Suggested Citation

  • Richard G. Castor, 2024. "Unraveling Traditions of Calabanga in Kami Kadto: The Etmic Stance of Stakeholders," International Journal of Research and Innovation in Social Science, International Journal of Research and Innovation in Social Science (IJRISS), vol. 8(12), pages 1979-1991, December.
  • Handle: RePEc:bcp:journl:v:8:y:2024:i:12:p:1979-1991
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