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The adoption of digital fashion as an end product: A systematic literature review of research foci and future research agenda

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  • Hazel Hoi Yau Chan
  • Claudia Henninger
  • Rosy Boardman
  • Marta Blazquez Cano

Abstract

With the advancement of 3D design software, “digital fashion” has evolved from a retail and design tool for physical fashion to a virtual-only end-product sold to consumers in wholly digital form. As many brands are now developing digital fashion end products as a new revenue stream, given its potential to reduce some levels of overconsumption of physical clothing, it warrants academic attention. However, the literature has predominantly defined digital fashion as a tool rather than an end-product, resulting in an incomplete definition of digital fashion. This hinders scholars’ ability to fully comprehend and explore this emerging product category. This article aims to synthesize the current marketing/management literature on digital fashion and investigate the theories, context, characteristics, and methodology of digital fashion as an end-product. This study contributes to the literature by providing a comprehensive industry-accepted definition of digital fashion within a conceptual framework, categorizing six different types of digital fashion end-products, and establishing a future research agenda that will lead to new research streams.

Suggested Citation

  • Hazel Hoi Yau Chan & Claudia Henninger & Rosy Boardman & Marta Blazquez Cano, 2024. "The adoption of digital fashion as an end product: A systematic literature review of research foci and future research agenda," Journal of Global Fashion Marketing, Taylor & Francis Journals, vol. 15(1), pages 155-180, January.
  • Handle: RePEc:taf:rgfmxx:v:15:y:2024:i:1:p:155-180
    DOI: 10.1080/20932685.2023.2251033
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