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Bootlegging in the Music Industry: A Note

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  • Alireza Naghavi
  • Günther Schulze

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  • Alireza Naghavi & Günther Schulze, 2001. "Bootlegging in the Music Industry: A Note," European Journal of Law and Economics, Springer, vol. 12(1), pages 57-72, July.
    • Handle: RePEc:kap:ejlwec:v:12:y:2001:i:1:p:57-72
    DOI: 10.1023/A:1011204712606
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    References listed on IDEAS

    as
    1. Braga, C.A.P. & Fink, C. & Sepulveda, C.P., 2000. "Intellectual Property Rights and Economic Development," World Bank - Discussion Papers 412, World Bank.
    2. Liebowitz, S J, 1985. "Copying and Indirect Appropriability: Photocopying of Journals," Journal of Political Economy, University of Chicago Press, vol. 93(5), pages 945-957, October.
    3. Björn Frank, 1996. "On an Art Without Copyright," Kyklos, Wiley Blackwell, vol. 49(1), pages 3-15, February.
    4. Lai, Edwin L. -C., 1998. "International intellectual property rights protection and the rate of product innovation," Journal of Development Economics, Elsevier, vol. 55(1), pages 133-153, February.
    5. Günther Schulze, 1999. "International Trade in Art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(1), pages 109-136, March.
    6. Stigler, George J & Becker, Gary S, 1977. "De Gustibus Non Est Disputandum," American Economic Review, American Economic Association, vol. 67(2), pages 76-90, March.
    7. Deardorff, Alan V, 1992. "Welfare Effects of Global Patent Protection," Economica, London School of Economics and Political Science, vol. 59(233), pages 35-51, February.
    8. Andrew Burke, 1996. "How effective are international copyright conventions in the music industry?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(1), pages 51-66, March.
    9. Kathleen Reavis Conner & Richard P. Rumelt, 1991. "Software Piracy: An Analysis of Protection Strategies," Management Science, INFORMS, vol. 37(2), pages 125-139, February.
    10. Tandon, Pankaj, 1982. "Optimal Patents with Compulsory Licensing," Journal of Political Economy, University of Chicago Press, vol. 90(3), pages 470-486, June.
    11. John W. O’Hagan, 1998. "The State and the Arts," Books, Edward Elgar Publishing, number 854.
    12. Towse, Ruth, 1999. "Copyright and Economic Incentives: An Application to Performers' Rights in the Music Industry," Kyklos, Wiley Blackwell, vol. 52(3), pages 369-390.
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    Cited by:

    1. Etienne Farvaque, 2024. "For those about to rock… is stability a determinant of rock bands success?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 145-166, March.

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