Author
Listed:
- Mohammad Fahmi Abdul Hamid
(Academy of Contemporary Islamic Studies, Universiti Teknologi MARA Cawangan Melaka, Alor Gajah, Melaka, Malaysia)
- Hisammudin Ahmad
(College of Creative Arts, Universiti Teknologi MARA Cawangan Melaka, Alor Gajah, Melaka, Malaysia)
- Khairul Azhar Meerangani
(Academy of Contemporary Islamic Studies, Universiti Teknologi MARA Cawangan Melaka, Alor Gajah, Melaka, Malaysia)
- Siti Nurul Izza Hashim
(Academy of Contemporary Islamic Studies, Universiti Teknologi MARA Cawangan Melaka, Alor Gajah, Melaka, Malaysia)
- Mohd Saharuddin Supah@ Supar
(College of Creative Arts, Universiti Teknologi MARA Cawangan Melaka, Alor Gajah, Melaka, Malaysia)
- Mohd Shaharudin Sabu
(College of Creative Arts, Universiti Teknologi MARA Cawangan Melaka, Alor Gajah, Melaka, Malaysia)
Abstract
In the Islamic spiritual tradition, Ulu al-Absar refers to an individual who has deep inner vision and spiritual wisdom. His observations are sourced from all the creations of Allah SWT in heaven and earth, to improve the intellectual, spiritual and physical competence of a human being. Thus, this study aims to analyze the implementation of the concept of Ulu al-Absar in the artwork of Halaman Sidr wooden sculpture. Through a qualitative approach that involves text analysis and the study of wooden sculpture, this study seeks to highlight the integration of the concept of Ulu al-Absar in the interpretation of the sculpture’s architecture. Halaman Sidr’s wooden sculpture was chosen as the subject of the study because it reflects a combination of modern aesthetics with deep spiritual symbolism and its connection with Sufism values. Analysis was done on the composition of the sculpture, the use of space, as well as the symbols applied in this work. The results of the study concluded that Halaman Sidr’s wooden sculpture art offers a new perspective related to the application of Islamic spiritual concepts in visual art. In addition, it is also able to promote a deeper appreciation of the art of sculpture in the spiritual and cultural context of Islam. This study also adds to the knowledge in the field of Islamic art and provides inspiration to artists to incorporate spiritual elements in their work.
Suggested Citation
Mohammad Fahmi Abdul Hamid & Hisammudin Ahmad & Khairul Azhar Meerangani & Siti Nurul Izza Hashim & Mohd Saharuddin Supah@ Supar & Mohd Shaharudin Sabu, 2024.
"A Thematic Analysis of Halaman Sidr’s Wooden Sculpture,"
International Journal of Research and Innovation in Social Science, International Journal of Research and Innovation in Social Science (IJRISS), vol. 8(7), pages 2550-2558, July.
Handle:
RePEc:bcp:journl:v:8:y:2024:i:7:p:2550-2558
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